A woman during the Second World War opens her heart to an evacuee after initially resolving to be rid of him.

Unpopular and down-on-her-luck, Marge is already having a tough time navigating the minefield that is her suburban high school. But Marge’s life is completely upended when her beloved mother and only champion (Greer) dies in a tragic accident. With nowhere else to turn except her ultra-conservative grandparents, Marge decides instead to hunt down her estranged father (Zahn), a former soccer star living in rural Mexico as a beach bum and coach to the local women’s team. Neither is ready for such a big change, but the best shot they have at fixing their past and moving forward is together.

In the wake of their friends’ marriages and eventual offspring, longtime pals Julie and Jason decide to have a child together without becoming a couple. By becoming “time-share” parents, they reason, they can experience the joys of parenthood without significantly curbing their personal freedom. However, when Julie and Jason both become involved with others, they discover that they secretly harbor romantic feelings for each other.

A man begins to suspect that his long-distance girlfriend, whom he met online but has never met in person, has been living in the same city the whole time and sets out to find her.

The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.

A wealthy middle-aged man at the airport witnesses a tiny incident involving an unknown, perhaps Arab, young man and airport staff. After the young man is confronted directly at the airport toilets, he feels himself subject to an indefinable but increasingly serious sense of danger. The fear of the evil that had, as it were, encircled the man since then, gradually becomes an obsession. The urgent desire to see the evil, to confront it and destroy it.

A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.

In Africa early in World War II, a British rubber plantation executive reminisces about his arrival in the Congo in 1910. He tells the story of a love-hate triangle involving Harry Witzel, an in-country station superintendent who’d seen it all, Langford, a new manager sent from England for a four-year stint, and Tondelayo, a siren of great beauty who desires silk and baubles. Witzel is gruff and seasoned, certain that Langford won’t be able to cut it. Langford responds with determination and anger, attracted to Tondelayo because of her beauty, her wiles, and to get at Witzel. Manipulation, jealousy, revenge, and responsibility play out as alliances within the triangle shift.

In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.

Truckers form a mile long “convoy” in support of a trucker’s vendetta with an abusive sheriff…Based on the country song of same title by C.W. McCall.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

After a brain hemorrhage, Maud, a filmmaker, wakes up one morning in a half-dead body that has left her hemiplegic and facing inevitable solitude. Bedridden but determined to pursue her latest film project, she discovers Vilko, a con man who swindles celebrities, on a TV talk show. He is arrogant, magnetic and mesmerizing. Maud wants him for her new film. They meet. He sticks around. He swindles her, too, borrowing astronomical sums of money.
He takes everything but gives her joy, a family. This film tells the story of the abuse of weakness to which Maud falls victim.