A story about a karaoke-addicted old woman struggling with her self-worth and a sense of betrayal at her long-lost husband’s funeral where she encounters his younger and more sophisticated girlfriend while she finds out her kids might have been secretly in touch with her late husband all these years.
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Richard II, who ascended the throne as a child, is a regal and stately monarch. He believes he is the rightful ruler of England, ordained by God, yet he is a weak and ineffective king – wasteful in his spending habits, unwise in his choise of chansellors, and detached from his country and its people. When he seizes the land of his cousin Henry Bolingbroke, both the commoners and the barons decide that their king has gone too far…
An attractive and successful doctor places a personal ad in a newspaper to try to meet (and eventually marry) Mr. Right. A succession of blind dates ensues, featuring men who are lonely, desperate, dangerous and perverted.
Brendan Cobbs (Jon-Paul Gates), a famous novelist, is struggling with writer’s block. His agent sends him to a remote cottage in rural England with undesirable and unwelcoming locals and no connection to the outside world. This is where he encounters Alfred, a child size doll, who can mysteriously come to life when Brendan isn’t watching him. Brendan thinks Alfred could be a great idea for his new book. But deadly consequences are about to hit Brendan as no matter what he does, he cannot seem to get rid of Alfred or his followers. Something big is coming for Brendan with the intent to kill…
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humourous to the heartbreaking, we see this family cope with life’s little conflicts, problems and joys in their own way.
A single mother and her young daughter struggle to make ends meet until they inherit their family’s farmhouse. When a business rival covets their water rights, the situation spirals out of control.
A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.
Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
Career woman finds out that her boyfriend is living a secret double life. She finds a bag of money and decides to make a run for it. She is accompanied by a little girl who is also on a run from her criminal step-father. Together they’re trying to make it to her grandmothers house.
