Vincent Bruce, a war veteran, begins working as an occupational therapist at Poplar Lodge, a private psychiatric facility for wealthy people where he meets Lilith Arthur, a charming young woman suffering from schizophrenia, whose fragile beauty captivates all who meet her.
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Obsession, sex and illusion are exposed in a series of stories.
Sisters Kristina (Deborah Joy Winans) and Vicky (Lisa Michelle Cornelius) receive an early Christmas gift—a luxurious vacation at an exclusive resort—from their Aunt Debbie (Marium Carvell), who hopes to bring them together after they’ve grown apart since their mother’s death. The sisters are less than thrilled by the idea of spending time together: Vicky loves Christmas, whereas Kristina no longer enjoys the holiday without their mom. With strong convincing from Aunt Debbie, the sisters reluctantly accept her gift. Once they arrive at the resort, Kristina and Vicky run into Reginé (Kyana Teresa), a famous singer and one-time best friend who left them behind when fame came calling.
Luca regularly visits her bedridden mother-in-law. Luca’s husband, János, has been arrested on a trumped up political charge, and Luca does not know if he is still alive. Luca hides this from his mother by making up letters purporting to be from János who is directing a big film in New York. Luca discovers that János is alive, and is dismissed from her teaching job because of her husband. The dying mother anxiously awaits the return of her son from New York.
A social work grad student’s film project on L.A. homelessness becomes something quite other when she and her friends encounter a man claiming to be from another time and place.
When Angela (Sarah Smyth) refuses to leave her planned-parenthood clinic after it is shut down by the state, a family of fanatical evangelists vow to make her pay.
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola’s mom, Anne, “accidentally” reads her teenage daughter’s racy journal, she realizes just how wide their communication gap has grown.
When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister’s, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.
Balaraju, the head of his village, lives with his wife Baby along with his two sons Chandrasekhar Rao and Bangari and two daughters. He helps Chandrasekhar become a doctor and builds a local hospital. On the day it opens, Chandrasekhar comes back home with his lover Kausalya, also a doctor. Both express their wish to marry and settle abroad, which upsets Balaraju, leading to their separation. 25 years later, Chandrasekhar, a successful doctor in London, tells the story to his son Abhiram and daughter Indu. Abhiram decides to go home to Balaraju and attempt a reconciliation. He meets his friend, Bunny, at the airport and goes to the village on Bunny’s bike the next day.
A full-length adaptation, originally staged as a play, of the court-martial segment from the novel “The Caine Mutiny”.
The story of a mother whose two young daughters are kidnapped by her abusive ex-husband—and her all-consuming fight to get them back.
A ghost from the 1920s refuses to leave the home just listed by Anna, a new real estate agent. Worse, the spirit is convinced she cannot “pass over” until she gets Anna back together with her ex.
