A strange animal attack turns a botanist into a bloodthirsty monster.

A film director has problems coping with his wife and marriage. The daughter is their only connecting link. He is looking for love and sex elsewhere. A married woman becomes his new partner for a while.

An ordinary working family man dares reach beyond his grasp. Even if it means risking death at the hands of the drug underworld.

An abused wife leaves her husband, takes her child away and goes to live in a car.

The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.

A widowed field mouse must move her family — including an ailing son — to escape a farmer’s plow. Aided by a crow and a pack of superintelligent, escaped lab rats, the brave mother struggles to transplant her home to firmer ground.

When photographer Abby is sent out of town on a job assignment by her editor, Charlotte, she thinks it is the perfect opportunity to escape her nightmarish ex-fiancé, Richard. However, Abby quickly discovers it is impossible to elude him.

A pub landlord in a previously thriving mining community struggles to hold onto his pub. Meanwhile, tensions rise in the town when Syrian refugees are placed in the empty houses in the community.

A therapist spirals into obsession as evidence points that a troubled teen could be her own child surrendered 17 years ago.

The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

A year after losing her mother, a young girl learns that she must journey across Japan to the annual gathering of gods in the sacred land of Izumo.

There is a sudden explosion at Tokyo Summit’s giant Edge of Ocean facility. The shadow of Tōru Amuro, who works for the National Police Agency Security Bureau as Zero, appears at the site. In addition, the “triple-face” character is known as Rei Furuya as a detective and Kogorō Mōri’s apprentice, and he is also known as Bourbon as a Black Organization member. Kogorō is arrested as a suspect in the case of the explosion. Conan conducts an investigation to prove Kogorō’s innocence, but Amuro gets in his way.