It follows the fate of Danica, a young woman whose world collapsed one day and who, after an emotional breakdown, wants to escape from reality. She goes to a remote village, to her great-grandmother’s house. It turns out that countryside life is completely different from what city girl imagined.
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A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
Lush scenery and gorgeous photography highlight this bio of Princess Ka’iulani (Q’Orianka Kilcher), a 19th-century Hawaiian princess raised in England but determined to maintain her people’s independence from aggressive American businessmen. After being sent to England as a child by her Scottish father, Ka’iulani returns to Hawaii and becomes a political activist who fights to retain her throne, even though she must leave her English paramour.
Glengarry Glen Ross, follows the lives of four unethical Chicago real estate agents who are prepared to go to any lengths (legal or illegal) to unload undesirable real estate on unwilling prospective buyers.
In a misguided attempt to protect his family and pay back gambling debts to the local Mobster, Jimbo robs a fish market, which is coincidentally owned by the same Mobster. On the run, Jimbo is cornered in a local curio shop, where he takes hostage an assortment of colorful characters, including Maguire, who may be his illegitimate father. Surrounded by the Police, the SAS, and the Mobster’s crew, the young man must find a way out of his precarious predicament with the help of his oddball captives.
Justice, the poets have it, is a blind goddess. Eric Portman stars as the lawyer defending a lord, Hugh Williams, accused by his secretary Michael Dennison of having diverted public funds for his own use.
Multi-award-winning writer Jimmy McGovern’s brand new film based on the UK’s controversial joint enterprise law. Jimmy McGovern’s gritty drama stars Nico Mirallegro as guileless 17 year old Johnjo O’Shea, who goes from innocent bystander to accessory to premeditated murder after giving a few friends a lift.
Thirteen-year-old Marek shoots videos on social themes, making him an outsider among his classmates. At home his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, Tereza enters his path.
Dominick Brassan has the power to turn invisible, but rarely uses it. Instead he has kept it a shameful secret, hidden even from Viveka, his fiancée. But when his ability to control his gift gets out of hand, his life, friendships and relationships will be forever turned inside out.
O-bok’s eldest daughter is about to get married to an educated, well-off young man, but she’s far from happy. It’s not just hot weather, hot flushes, her daughters’ materialism, her mother’s dementia, her husband’s drinking, or the impending gentrification of the food market where she sells fish – although all of that will push her to take a stand. After trying to cover it up, O-bok reveals to her daughter that she was raped by a fellow stallholder, the man organising the traders against their landlords. Increasingly furious, O-bok eschews the useless police to pursue her own justice, even if it means a physical fight.
An expatriate British publisher unexpectedly finds himself working for British intelligence to investigate people in Russia.
A rock singer makes a deal with a mysterious doctor who promises to return his voice with horrifying consequences.
A sensitive five-year-old girl searches for comfort and ballast when a tragic event engulfs her family in grief. In a futile search for support, she drifts into a world of fantasy.