FIVE DIRECTORS tell FIVE STORIES Meet their “characters” at a local bar – where they find love, misfortune and redemption.
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Rear Defense action film from the point of view of German and Italian soldiers.
Targeted by a secret fraternity, a brilliant student tries to expose the young men and end their reign of power. However, she soon realizes that the frat has ties to high-ranking officials who are willing to do whatever it takes to keep her quiet.
In the town of Colma, just south of San Francisco, the dead outnumber the living one thousand to one. Here, one wouldn’t expect teenagers to burst out in song, or dance around cemeteries and streets. But, that’s exactly what happens. Best pals Rodel, Billy, and Maribel find themselves in a state of limbo; fresh out of high school, they are just beginning to explore a new world of part-time mall jobs and crashing college parties. As newfound revelations and romances challenge their relationships with one another and their parents, the trio must assess what to hold onto, and how to best follow their dreams. It’s a love song to the city, and to the residents who dream of a better (and more musical) life.
A young boy and his family embark on a series of adventures when the boy finds some mysterious eggs which hatch to reveal a brood of baby dinosaurs.
Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history – largely unknown until now – “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.
Predicated on a May-December romance. The difference here is that the woman, attractive widow Cary Scott, is considerably older than the man, handsome gardener-landscaper Ron Kirby. Throwing conventional behavior to the winds and facing social ostracism, Cary pursues her romance with Ron, who is unjustly perceived as a fortune-hunter by Cary’s friends and family — especially her priggish brother Ned.
After a cheerleader is sexually assaulted by the high school football team, she must overcome her shame and use the evidence gathered from the subsequent social media firestorm to piece together the night that she can’t remember in her fight for justice. Based on the true story of the Steubenville, Ohio rape case.
With problems on the home front, 15-year-old Murra is on the verge of lashing out. That is, until her policeman uncle thwarts her self-destructive behaviour with a lifeline: a “photo-safari for at-risk kids”. Murra isn’t entirely convinced, but she soon joins cantankerous Kylie, uptight Sean, happy-go-lucky Elvis, and camp counsellors Fernando and Michelle on a transformative bus trip to the Pilbara. On the trail, the teens learn about fun, friendship and first crushes, as well as the forces of ‘reality’ that puncture the bubble of youth.
Jun-geun, a university student, keeps failing at job seeking in cold Korean job market. Furthermore, he gets kicked out of school dorm. Got nowhere to go, he goes to the beach nearby his school. He meets surfing there and everything changes.
BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
