Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
You May Also Like
Ebenezer Scrooge, a bitter old man, despises the Christmas holiday. Over the course of Christmas Eve night he is visited by three ghosts to show him his past, present and future.
Remington has escaped the evil cabin, but now the evil continues to follow him wrecking havoc where ever he goes. As Chloe and Revel look for a missing sister that went to the evil cabin in the previous installment. The two meet Vincent, a failing tv show host, to help psychicly contact the missing sister. That’s when a gunshot rings out in the night and the three meet Remington. Now they all must battle for their lives against the evil that pursues Remington to once and for all lock the evil away for good.
Mio is a girl in high school who slacks off. She and her childhood friend Arata and best friend Madoka spend their after-school days in Ikebukuro hanging out. One day, Madoka tells Mio that she loves Arata, and Mio realizes that she loves Arata, too. But she’s scared of their relationship falling apart and lies, saying she’ll help them. Mio deliberately acts coldly to Arata, and they get into a fight. She decides to work things out with Arata, but gets into a car accident on her way to meet him. She wakes up in a mysterious world. It’s the Ikebukuro she knows, but something’s different…
Ana is transported to a dreamlike and dangerous land where she joins an army of girls engaged in a never-ending war. Though she finds strength in this exhilarating world, she realizes that she’s not the killer they want her to be.
A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.
Grace, a young heroin addict and Jamie, her alcoholic doctor, imprisoned by the horror of addiction and sexual co-dependency take a powerful natural hallucinogenic in order to travel the spiritual road to recovery. Whilst seeking the truth to their present and past behaviour but driven by self-obsession and malevolent denial, far from leading to salvation, the road they actually travel leads them to a place from which they may never return. A place where the truth is more horrific than the lies they tell themselves. One person from a past that connects them both holds the key to their new place of captivity and that person is in no hurry to leave.
Edouard, a funeral director, leads a very quiet life. The routine: work, return home, dinner cooked by his wife and reading a story to sleep his daughter. One evening, like no other, her daughter makes a strange prayer. She predicts the death of one of her family members the next day. And every night, the same refrain. Until the dreaded day arrives – she announces the death of her father.
A narcissistic runaway engages in a number of parasitic relationships amongst members of New York’s waning punk scene.