Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
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A complicated New York City family as they discover on one extraordinary day that although life-and family-can sometimes shock you – it can also lead to miraculous new places.
In the subtropical province of Guizhou, Chen Sheng embarks on a journey to find his nephew.
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Michael Pappas and his girlfriend, Cathy, are enjoying the white sand beaches of a Greek island as well as the freewheeling nature of the locals. When Michael meets Lina, who is in Greece from Paris doing archaeological work, he is enamored with the beautiful foreigner. Cathy, unhappy about Lina getting close to Michael, confronts the woman — only to be unexpectedly wooed by her charms as well.
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Culloden is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden that resulted in the British Army’s destruction of the Scottish Jacobite uprising and, in the words of the narrator, “tore apart forever the clan system of the Scottish Highlands”. Described in its opening credits as “an account of one of the most mishandled and brutal battles ever fought in Britain”, Culloden was hailed as a breakthrough for its cinematography as well as its use of non-professional actors and its presentation of an historical event in the style of modern TV war reporting. The film was based on John Prebble’s study of the battle.
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