Lifelong friends Lenny Sugarman (Dominic Chianese) and Ruben Liebner (Dick Latessa), both in their 70s, both dyed-in-the-wool New Yorkers, barely… Lifelong friends Lenny Sugarman (Dominic Chianese) and Ruben Liebner (Dick Latessa), both in their 70s, both dyed-in-the-wool New Yorkers, barely recognize the Manhattan of their youth. The city they’ve loved for decades has become a playground for the too-rich; their places, the ones they’ve frequented for years, are now refuges from a changing world they’re increasingly unable to keep up with. When Lenny—a lone schemer all his life—finally gets in over his head, he decides to seek the one thing he’s never had: true love. But to achieve it, he may have to abandon the only place he’s ever known.THE LAST NEW YORKER is a tale of friendship, love and the world’s greatest city — and how all three keep us young and make us feel alive.

Juan Sahagún, since childhood, feels passion for his mother. One day in the street he sees a woman identical to her. He follows her and finds out that she works as an actress in a theater company, so Juan decides to hire the whole company to represent the people who have influenced him in his past. They recreate the same situations of yesteryear and Juan acts as the child he was, to relive the memories already forgotten.

After a string of life-changing revelations, a beloved parking attendant pieces a new plan together and chases her dream of traveling the world.

At age 30, French comic Kev Adams gets up close and personal about how life has changed since his big break 12 years ago — and not always for the best.

Three pregnant women are kidnapped from abortion clinics and held for seven months until they all give birth. Seven years later, those who held the women have been arrested, admitting to their deeds. They have been brought to trial, and now the jury deliberates their fate. The kidnappers had video-taped the entire seven months that the women were held. In essence, duri

A group of scientists is sent to the planet Arkanar to help the local civilization, which is in the Medieval phase of its own history, to find the right path to progress. Their task is a difficult one: they cannot interfere violently and in no case can they kill. The scientist Rumata tries to save the local intellectuals from their punishment and cannot avoid taking a position. As if the question were: what would you do in God’s place? Director’s statement Aleksei wanted to make this film his entire life. The road was a long one. This is not a film about cruelty, but about love. A love that was there, tangible, alive, and that resisted through the hardest of conditions.

Set during World War II, somewhere in Eastern Europe. A German soldier is found dead near the village. The local authorities must find the culprit, or they will be all shot by the Nazis the morning after. There’s no way to find the guilty one, but there’s Ipu, the madman of the village, whom they promise a hero’s funeral if he will claims responsibility and agrees to die in their place. He must decide, and time is running out.

“Whatever falls from heaven, you may keep.” So goes the unwritten law of the Kazakh steppes. A law avidly adhered to by the inhabitants of a small village, who collect the space debris that falls downrange from the nearby Baikonur space station. The last two youthful members of the village are the radio operator Iskander, known as Gagarin, and the spirited Nazira. While Nazira finds it increasing difficult to conceal her love for Iskander by means of her unconventional behaviour, Iskander is evidently not only crazy about Baikonur and the vastness of outer space, but also deeply smitten with the beautiful French astronaut Julie Mahé, whose journey to the stars he wistfully follows on television.

A racist woman makes it her personal mission to displace the new Black family that has just moved in next door to her. A community activist and his wife are the couple she’s targeting — but they won’t back down without a fight.

When a young resistance fighter witnesses atrocities towards the Jews, he’s drawn into a web of espionage and clandestine activities. When he meets a young physics students and resistance journalist – Hans Poley – they embark on a hunt through underground tunnels, Gestapo hijacks and daring rescues.

The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.

Born in a small town in Japan, a young girl named Ai is sent to a cult commune by her religious maniac mother and lives there for seven long years. After the cult is exposed by the police, Ai starts a new stage of life, going to a normal school for the first time, but she can’t find her place to fit in there. Ai drops out from the school and society, spending her life living with a rock-bottom delinquent family full of gangsters and call girls. In a strange twist of fate she finds herself back in a new and normal life, living with a middle-class family, but her troubled life continues to follow her into more deep and seedy paths.