Will is a rising star in New York City architecture, managing a tough project and negotiating to join an important firm. He rarely smiles. His wife Catherine is on the rise as well, as the social engine of his success. They have a son, about eight. Will hits a bump when he meets Kate, a designer of smaller spaces whose work Will has seen (at his son’s school). He recommends her for a project, neglects to tell her he’s married, and sort of seems available. She falls hard, then meets Catherine and gets a job offer in L.A. Should Will sign with the big firm, go with Catherine on a dream vacation in the Caribbean, and wonder about Kate in L.A.? A flock of birds may hold the answer.
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Six friends on a road trip stop for the night at a bed and breakfast in the sleepy town of Lovelock. After a night that leaves both the inn’s owner and chef dead, the gang finds themselves under suspicion by the local sheriff. But that’s only the beginning as nearly all of the town’s quirky residents become possessed by an evil spirit and pin down the friends inside the B&B.
After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world’s worst show.
The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met.
With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.
After twenty years of no contact with his son, Larry McCarthy pretends to be on his death bed to get Jack to return to his native Ireland from America. Upon arrival Jack is furious to find his father alive and well and even more so when he then discovers he can’t leave . Soon, Father and son are forced into dealing with a painful history . At the core of their conflict is Larry’s denial about the death of his wife, Jacks mother. The story explores the difficult and painful, but often very hilarious ways they try to communicate. Forging a begrudging peace, the reality of life sets them when Larry discloses to Jack another truth that leads to a final reconciliation.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.
Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.