Three troubled young girls will do anything to escape their stifling lives – even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

Set in the British seaside, Beautiful in the Morning is a coming of age story about Marielle, a girl who reconnects with the women in her family over a summer, only for them to be torn apart by the arrival of an intrusive stranger.

“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens

Beautiful young girls are kidnapped off the streets of Manila by a death cult that needs their blood to remain immortal.

With Christmas approaching, life appears to be good for Tom, an ex-Olympic hockey star, and his girlfriend, Jenny, a firefighter — at least until Mary, a former Olympic figure skater, Tom’s soon-to-be ex-wife and the author of a book of tips on relationships, is convinced that appearing to be still happy with Tom will help sell her book. Tom’s strong desire to spend the holidays with his and Mary’s daughter provides a test of true love and, ultimately, reveals who the true heroes are.

In the short break between performances in Calais, stage actress Alix makes a quick escape to Paris. On the train she meets a mysterious English stranger and, for the most fleeting of afternoons, imagines what the future could hold down a different road.

A corporate attorney quits his job at a high profile law firm to become the singer at a an old cocktail lounge called the Foxes Den, becoming deeply involved in the lives of its staff and regulars.

Recovering from a broken heart is never easy. Gala, has been dating Bara for eight years, and wants to marry him soon. Suddenly Bara broke off their relationship. Gala is devastated and is struggling to heal her broken heart. Fortunately, she meets Aiman and he accompanies Gala and help her recover. Gala begins to fall in love, but slowly realizes that Aiman is the same as Bara. Aiman is not the cure for her broken heart. Will she heal her broken heart? Or will her heart breaks even more?

A Muslim fundamentalist in New York kidnaps a liberal Muslim scholar with intent to kill. A closeted lesbian in New Delhi kidnaps her activist bisexual lover with intent to marry. The resulting torture and violence evokes a brutal struggle of identities against unfreedom.

Tribute to Ramkinkar Baij, the film explores the relationship between three friends Kigan, Bodhi and Aditi.

This erotically charged drama from Japanese director Ryuichi Hiroki (Vibrator) traces the intersecting stories of a group of employees and visitors at a notorious “love hotel” in Tokyo’s red-light district.

When a distraught woodsman reluctantly agrees to guide two New Yorkers on a deer hunt in the frozen wilderness of December’s northwestern Maine, his sanity begins to slip away as the wreckage that his buck hunting set in motion a year before catches up with him.