Let’s Go Crazy is a 1951 comedy film marking an early appearance of Spike Milligan and Peter Sellers playing multiple roles.
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Simon lives in an affluent intellectual environment, headed by his mother Alice. Raphael, his cousin, belongs to the poor branch of the family, but Simon adores him. So he decides to help him become a writer.
Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.
In a mansion full of secret rooms and passageways, people are dying shortly after seeing the ghost of a woman in gray, as an old legend dictates. Called in to solve the mystery, Sherlock Holmes has doubts about the supernatural aspect of the crimes and focuses on a more earthly culprit.
“I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot.” -JM
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Gary, who has just married Samantha, the woman of his dreams, discovers that her six-year-old son may be the Antichrist.