While in high school class, a French teenager of Moroccan origin loses his parents in a car accident. A few days later, social services learn that he was adopted and that his natural parents are his aunt and uncle who live in a small village in the Sahara … He decided to join them.
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When two corrupt police officers investigate the brutal murder of a young girl, tensions come to a head in their small, racially-segregated town.
It is the 1960s. Two Maori families, the Mahanas and the Poatas, make a living shearing sheep on the east coast of New Zealand. The two clans, who are bitter enemies, face each other as rivals at the annual sheep shearing competitions. Simeon is a 14-year-old scion of the Mahana clan. A courageous schoolboy, he rebels against his authoritarian grandfather Tamihana and his traditional ways of thinking and begins to unravel the reasons for the long-standing feud between the two families. Before long, the hierarchies and established structures of the community are in disarray because Tamihana, who is as stubborn as he is proud, is not prepared to acquiesce and pursue new paths.
As Aunt Alice, Ruth Gordon applies for the job of housekeeper in the Tucson, Arizona home of widow Claire Marrable in order to find out what happened to a missing widowed friend, Edna Tilsney. The crazed Page, left only a stamp album by her husband, takes money from her housekeepers, kills them, and buries the bodies in her garden. Alice is a widow too. So is neighbor Harriet Vaughn. Lots of widows here.
Because of her last name “Kumada” (bear + rice paddy) and her appearance, Misa’s high school classmates call her “Pooh” disparagingly. She obviously has no friends and can only let down her guard around her pet parrot and the goldfish in the science room at school. But, then she finds herself quickly becoming best friends with Izumi who is a cute and popular classmates. Although somewhat puzzled by Izumi’s interest in her, Misa is excited about having a friend for the first time ever. But, Izumi’s initial angelic demeanor gradually transforms into a demonic one.
Gaia, Aga and Awan only have one goal in their lives: to play music. They formed a band, produced their own mini-album, and distributed it with the support of a local music store. Soon, the album made them local heroes. But outside the band, they each have their own secrets. Despite the maturity of their music, they are still young and restless, and are still looking for their true identities. As Garasi gains popularity, their friendship is put to the test. The hidden love, the miscommunication, their conflicts with their families, and judgments from the media and society force them to realize who they truly are and how much they love their music.
After the apparent suicide of her daughter, a woman tries to prove that her son-in-law killed her.
Determined to even the scales and profit from his thankless job, a factory worker schemes to traffic luxury perfumes from under his employer’s nose.
Coleman Silk is a worldly and admired professor who loses his job after unwittingly making a racial slur. To clear his name, Silk writes a book about the events with his friend and colleague Nathan Zuckerman, who in the process discovers a dark secret Silk has hidden his whole life. All the while, Silk engages in an affair with Faunia Farley, a younger woman whose tormented past threatens to unravel the layers of deception Silk has constructed.
An old poet staying for free in a riverside hotel summons his two estranged sons. This is because he feels, for no apparent reason, like he is going to die. After being betrayed by the man she was living with, a young woman gets a room at the hotel. Seeking support, she summons a friend. The poet spends a day with his sons and tries to wrap up the loose ends in his life. But it’s not so easy to do that in one day. But then he sees the young woman and her friend, after a sudden, unbelievably heavy snowfall.
Jenny McLean is a single mom working at a 911-call center struggling to make ends meet and raise her two kids, Elsie and Luke. Although still reeling from her divorce, Jenny can’t help but flirt when she gets emergency calls from Jeff, a local firefighter she nicknames “Cowboy” for his handsome voice. When Jeff is hurt in the line of duty, he finds himself unable to climb stairs and needing to rent a first floor room from Jenny. It isn’t long before the sparks are flying but can Jenny allow herself to take the risk?
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.