IN MY FATHER’S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che ‘Rhymefest’ Smith and his long-lost father reconnect and try to build a new future in Chicago’s turbulent South Side. Himself a child of a broken home, Che hasn’t seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father’s childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian’s shared journey to create a new legacy for themselves, their community and the next generation of family.

Benjamin has lost his wife and, in a bid to start his life over, purchases a large house that has a zoo – welcome news for his daughter, but his son is not happy about it. The zoo is in need of renovation and Benjamin sets about the work with the head keeper and the rest of the staff, but, the zoo soon runs into financial trouble.

After breaking up with her long-term boyfriend just before the holidays, passionate baker Kylie reconnects with her high school sweetheart, Nick. Thanks to their newly rekindled friendship, Kylie uses Nick’s restaurant to prepare for a gingerbread baking competition with a large cash prize that would help her open her own bakery.

A by-the-book Captain is ordered to capture a strategic village in Italy. The Italian soldiers are willing to surrender, if they can have a festival first. The lieutenant convinces the Captain this is the only way. Because of aerial reconnaissance, they must look like they are fighting. To sort this out an intelligence officer is sent in. Meanwhile the festival gets complicated with the Mayors daughter.

The film tells the story of two good friends who live together, Andrew, an agoraphobic travel agent who works from his home, and Dave, a loser who works in an office where he is treated with contempt. Just when it seems things can’t get any worse for the two, the entire world outside of their house disappears and is replaced with an endless white void.

Secret Organizational Service (S.O.S.) is an international crime syndicate, quite successful with their feminine agents operating under the guise of a fashion model agency led by Lady Bristol and her associate Luigi. The International Service is the governmental secret service decided to put a term to SOS’s action. An agent has infiltrated SOS – but she is in danger, after sending a coded message to her supervising Inspector. So, agents Alex Dinamo is to join forces with Adriana, and give the undercover agent a hand.

Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière’s theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.

Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.

The Police Academy misfits travel to Miami, Florida for their academy’s commanding officer, Lassard, to receive a prestigious lifetime award pending his retirement, which takes a turn involving a group of jewel thieves after their stolen loot that Lassard unknowingly has in his possession.

Louis has gained access to Coalinga Mental Hospital in California, which houses more than 500 of the most disturbed criminals in America, convicted paedophiles. Most have already served lengthy prison sentences, but have been deemed unsafe for release. Instead, they have been sent here for an indefinite time. Spending time with those undergoing treatment, Louis wrestles with whether he can ever allow himself to believe men whose whole history is defined by deception and deceit.

Bean works as a caretaker at Britain’s formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can’t because the chairman of the gallery’s board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he’ll have to officiate at the opening of the greatest US picture ever (called “Whistler’s Mother”).

A meticulous essay on the presence and representation of children in the history of cinema, in which cinematographies from all over the world are analyzed.