After Elle Woods, the eternally perky, fashionably adventurous, famously blonde Harvard Law grad gets fired by her law firm because of her opposition to animal testing, she takes her fight to Washington. As an aide for Congresswoman Victoria Rudd, she pushes for a bill to ban testing once and for all, but it’s her building’s doorman who advises her on how to get her way on the Hill.
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Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show “Romy the Vampire Slayer”. Unfortunately, her own demons show up.
Argentina, the year 2022. Second Falklands war. After 2 years of the wildest fight, the British gradually destroy the troops of the Argentine Army and intend to exterminate the enemy in the Islands. An Argentine soldier (Vic Cicuta) trained in the art of Ninjutsu, will intervene the monstrous plan risking his life and that of all those around him. “Death does not recognize ranks, this is Malvinas, this is war.”
Baratometrajes 2.0 is a feature length documentary on low-budget films made in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like “El mundo es nuestro,” “Mi Loco Erasmus” or “The Cosmonaut” are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.
A strange and destructive relationship develops between a chef and her neighbor, a former child actress.