An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi’s interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: “there is more to life than lights… camera… and action!”
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Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of Kaohsiung to look for work. They find an apartment through relatives, and Ah-Ching is attracted to the girlfriend of a neighbor. There they face the harsh realities of the big city.
The Baker brood moves to Chicago after patriarch Tom gets a job coaching football at Northwestern University, forcing his writer wife, Mary, and the couple’s 12 children to make a major adjustment. The transition works well until work demands pull the parents away from home, leaving the kids bored — and increasingly mischievous.
Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.
Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.
A street prostitute takes in an abused young woman on the run from her misogynist boyfriend, leading to both facing off against the prostitute’s dreaded pimp and a relentless police detective out to arrest all of them.
Christmas comes just once a year. But for Rudy, every day is Christmas. And every day is perfect. Because Christmas is perfect. At least that’s what Rudy tells himself.
When a midnight scavenger hunt for a rare bud of weed brings a group of party-hungry stoners to a haunted hotel, they open a portal and unleash a group of ghastly hysterical creatures that has only one mission: party ‘till you die.
A young girl who goes through a difficult experience begins to see everyone’s imaginary friends who have been left behind as their real-life friends have grown up.
Hot. Young. Cool. Fresh. Ripped. Hilarious. Groundbreaking. Avant-garde. These are just some of the words that comedian and writer Leo Reich uses to describe himself. In his first HBO comedy special, this self-diagnosed important young mind faces the swirling uncertainty of our collective future, asking the big questions, such as: “Is this helping?”, “Am I hot?”, and “No offense guys but literally what is going on?”
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
A burger-loving hit man, his philosophical partner, a drug-addled gangster’s moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
