In a youth correctional facility, Joe is preparing his return to society. But William’s arrival turns his desire for freedom into desire of another kind. Behind fences and cell walls, passions begin to play havoc with the need for liberty.
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When cattle mysteriously start dying of anthrax in a small Alberta ranching community, an RCMP officer tries to keep the peace as ranchers lay the blame on a local agricultural research center. A reporter encourages the angry ranchers – led by the Mountie’s mother-in-law – to stage a sit-in at the research center. When an eccentric old rancher dies after being exposed to a deadly strain of anthrax, the protesters are quarantined. No one notices that the reporter has disappeared – along with several vials of the deadly bacteria. The RCMP officer begins his own investigation, gleaning information from a U.S. government agent. He finds himself racing against time to recover the stolen anthrax.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
In 1946, a resolute young woman struggles with her faith while searching for answers after a series of painful events.
An uptight, conservative, businesswoman accompanies her boyfriend to his eccentric and outgoing family’s annual Christmas celebration and finds that she’s a fish out of water in their free-spirited way of life.
The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of The Insect Play, a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family’s children. “Bicentennial Man” follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don’t have an ordinary robot.
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
Robert Armstrong stars as Scoop Adams, an ace newsreel cameraman whose love affair with the bottle all but destroys him professionally. Scoop manages to get his photographer pal Dick (Richard Cromwell) fired as well, but he promises to restore Dick’s reputation, some way or another. He gets his chance while covering a dirigible wreck (some three years before the Hindenburg), saving the day for both Dick and himself.
A couple is going through marital troubles made worse when a previously unknown grandson shows up.
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in this adaptation of the Robert Ludlum novel.
Shelby is about to quit her job as a rocket engineer when her daughter becomes convinced that her Scrooge-like boss, Evan, is the Christmas Prince from a story Shelby invented years ago.
