French director Isabelle Doval directs her husband, popular comedic actor José Garcia, in the comedy Rire et Chatiment (Laughter and Punishment). Vincent (Garcia) is a popular physician whose aggressive need to be funny and get people’s attention annoys his girlfriend, Camille (Doval), to the point that she leaves him. He begins to suspect she might have been onto something when his behavior begins causing people to die.
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An embittered husband, paralyzed and in a wheelchair, buttonholes a complete stranger and begins to tell him the story of his marriage. The stranger would like to escape, but cannot. For one thing he grows fascinated by the story. For another he is mesmerized by the man’s wife, who has perfected that trick of looking a man boldly in the eye until, by looking away, he concedes sexual supremacy.
A runaway orphan, young Sonora, persists in a menial job mucking stables in Doc Carver’s travelling stunt show. Her great wish is to become a death-defying “diving girl,” but Doc refuses her pleas. Undaunted, Sonora’s gutsy resolve finally convinces him to give her a break. On the brink of stardom, however, a cruel twist of fate threatens to destroy her dream.
An anti-romantic-comedy about a girl who just wants a friend, and the boy who falls for her instead.
Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.
A soap opera writer gets hit on the head and wakes up as a character in his own show.
Lindsey Lou’s father has gone missing on a mountaineering expedition and she’s determined to find him, only she’s the least qualified for the job.
Germain, an introspective retiree, abruptly becomes a widower at 75. He barely has the time to realize what has happened to him before his family forces their way into his daily life: non-stop phone calls and visits, meals and activities organized in advance – all meant to make his life as regular as clockwork. But Germain’s mind is elsewhere. Honoring a promise he made to his dear departed wife, he suddenly finds himself at the heart of a contemporary dance company’s newest work.
When an engaged couple can’t agree on anything, the mother of the groom (Linda Gray) hires a wedding planner (Danica McKellar) and an event planner (Paul Greene) to help put together the wedding of their dreams. The two planners are as different as night and day, but as they too learn to compromise, they discover opposites do indeed attract and can combine to produce incredible results!
A young queen falls in love with her physician, and they start a revolution that changes their nation forever.
True story based on Jodi Arias, a seductive 28-year-old aspiring photographer found guilty of killing her former lover, Travis Alexander, who was found nude in his home shower with a slit throat, 27 additional stab wounds and a bullet to the head. While investigating the violent killing, Mesa, Arizona police retrieved a digital camera from Alexander’s washing machine, revealing shocking images authorities claim Arias took during their sexual escapades, as well as during and after his murder. While Jodi pled not guilty and contends she killed Alexander in self-defense, police concluded that when he broke off their relationship, she stalked her ex-boyfriend and seduced him one final time before murdering him in cold blood. Her subsequent trial has been grand theater, dominating the cable news networks as she testified in her own defense and offered explicit insight into the sex, lies and obsession that led up to Alexander’s murder.
Eva, 20, joins Safietou, Djaoua, Violette and Simone, a team of chambermaids at one of Paris’s finest Palace Hotels. She discovers the poor working conditions of these invisible women, who work tirelessly to keep the high standards of these luxurious hotels, where one night can cost their annual salary. Many are not even employed by the hotels directly but by sub-contractors, and are therefore particularly vulnerable. While on strike to fight against subcontracting and to obtain better working conditions, they come up with a colorful idea : having their own “Fashion Week” in front of the hotel!
A troupe of young orphan street-performers tangle with the undead when a rouge jiangshi kills their beloved guardian.