Late Bloomers stars Isabella Rossellini and William Hurt as a married couple pulled apart by the threat of old age. Each reacts in a different way: Hurt’s distinguished architect chases after his glory days, while Rossellini’s housewife installs handrails about the house.
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On the day before their holiday trip to Dubai, a wife who believes her husband is unfaithful enlists the help of Roohi, a young woman sent by an agency to clean the house. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Roohi is betrothed, innocent of marital discord. Over the course of the day, she, the couple, their small son, the wife’s sister and husband, and the beautician engage in a series of exchanges, confrontations, and prevarications. Are the wife’s suspicions unwarranted; is her behavior imperiling her marriage? Acts of kindness may go awry. And the trip to Dubai?
The true story behind the iconic Selamat Hari Raya song written in 1958, by P. Ramlee and Jamil Sulong during a variety show which they had organised to collect funds for fellow performers and friends who had lost their jobs at the studio.
Ana has just arrived from Colombia and is the maid of a luxurious mansion on the Costa Brava, where a family of wealthy art dealers spends their summers. The young woman works tirelessly and without a contract, under the promise of decent conditions at the end of the summer, if she remains obedient and discreet.
Chicano gangster Micky Solis finds that his family has been slaughtered by the Chinese mob. His whole life force turns to finding the killers. A slick lawyer (Angus MacFadyen) leads Micky to a “nun” (Paz De La Huerta) who shows him who the killers are that took his family from him. Micky unleashes a war of bullets and emotions on the family until each one dies by the same sword they wielded. The only thought on Micky’s mind is REVENGE: VENGANZA.
Bénédicte Meursault, a female firefighter, has just been transferred to a small fire brigade in the South of France. She is welcomed by Philippe, 45, the wise captain of the brigade. Soon after being introduced to the men, the young woman jumps into action. Unfortunately, while rescuing the victims of a terrible car crash, she does not find one of the injured who was ejected thirty meters away. Now the man is in hospital in a coma and he may die because of her. Completely upset, Bénédicte decides to resign but Philippe dissuades her from doing it.
Paradise Found is a biography about the painter Paul Gauguin. Focusing on his personal conflict between citizen life and his family life and the art scene in Frane. In an incredible imagery montage Gauguin manages to make a successful living in the South Pacific, while being in opposition to France.
Small-town boy Shawn MacArthur has come to New York City with nothing. Barely earning a living selling counterfeit goods on the streets, his luck changes when scam artist Harvey Boarden sees that he has a natural talent for streetfighting. When Harvey offers Shawn help at making the real cash, the two form an uneasy partnership.
Ex Con Armstrong Cane (Ving Rhames) returns to home a changed man looking to take over his father’s old church and congregation. The neighborhood though is full of drugs and gangs. Those who are able are leaving for more prosperous areas and falling in with a slick preacher (Ricardo Chivara). Even with a dangerous gang leader (Dean McDermott) threatening his flock, Armstrong won’t give up.
When three very different people (Mike Baldwin, Will Haza, Ali Lukowski) from three completely different worlds begin a deadly game of Russian Roulette, they soon discover that their pasts are a trilogy of overlapping events that have brought them together for one last session of group therapy.
Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they’re willing to risk it all to find out if there’s more between them than just the law. Variety hails Out of Sight as “a sly, sexy, vastly entertaining film.”
