Filmed entirely on location in East Hampton, Long Island, “Last Summer in the Hamptons” concerns a large theatrical family spending the last weekend of their summer together at the decades-old family retreat which economic circumstances have forced them to put on the market. Victoria Foyt plays a young Hollywood actress whose visit wreaks havoc on the stellar group of family and friends – led by matriarch Viveca Lindfors and made up of an extraordinary mix of prominent New York actors, directors, and playwrights. In the course of a very unusual weekend, comic as well as serious situations arise, and the family’s secrets – of which there are many – begin to unravel.
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Although awkward college student Todd Howard is particularly adept at science, he’s paying for school with an athletic scholarship that he will lose should he not fare well in an upcoming boxing tournament. Luckily for Todd, he has inherited the same family curse that once turned his cousin into a werewolf. As he transforms into the hairy, fanged, howling monster, he finds both his physical agility and his popularity skyrocketing — but at what cost?
In the sequel to “A Royal Family Holiday”, the children Phillip “Flip” Royal (Romeo Miller), a good-looking spiritual guru; Austin Royal (Eric Myrick III, At Sunrise), a Washington, D.C. community activist; Kelsey Royal (Chelsea Tavares, Fright Night), a fashion designer’s gopher; and Pamela Royal (Taquilla Whitfield, Magic Mike XXL), a hair and nail salon owner; join forces to reunite their parents in time for Christmas. They try every trick in the book – including “playing nice” and setting aside old sibling rivalries – only to learn their mom and dad are enjoying “the single life.” Their plan also goes awry as getting their parents back together ends up taking a back seat to their own personal and professional drama.
When a blood sacrifice opens a portal to Hell, Ebee is returned to Earth where Lucy Furr, the new proprietor of her weed shop, has some sinister plans of her own.
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor’s later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.
When both of their engagement proposals are a bust, hopeless romantics Margot and Griffin find themselves together on New Year’s Eve after a bout of fateful events. Both believing in true love, they set out on a magical and comedic journey together, only to quickly realize that the love they’ve been searching for this whole time might be right in front of them.
In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), legendary filmmaker Werner Herzog achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
Stranded after a tragic plane crash, two strangers must forge a connection to survive the extreme elements of a remote snow covered mountain. When they realize help is not coming, they embark on a perilous journey across the wilderness.
In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother’s flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
Young, up-and-coming photographer, Lana, begrudgingly attends the party of a pretentious and cool gallery owner in the hopes of meeting a respected dealer who may hold the key to her success. Quickly finds that the attendees of the party are more style than substance and her friend, the host, isn’t at all what she seems.
