Lachlan MacAldonich is a self-described “lazy Scotsman” and former guitar player for a once-popular 1990s rock band. No longer famous, he now lives a comfortably numb existence working on an organic farm outside Los Angeles. He drinks himself into a stupor every night and retires to his shabby apartment to record his podcast, recounting the tragic deaths of great musicians. After a particularly heavy night of drowning his sorrows at a local watering hole, he is arrested for driving under the influence. This snag, coupled with a long-ago conviction for a drug offense, means Lachlan faces possible deportation. His only hope of remaining stateside is proving that his absence would cause extreme hardship for a spouse or relative – forcing him to confront relationships he thought were buried forever.

Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn’t give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.

Kaí is a mysterious shaman who emerges from the Rio Paraná to help a poor farmer and his daughter, who are threatened by a band of cold-blooded mercenaries hired to force them to sell their land.

A struggling comic resorts to extreme measures to prevent his party-girl ex-wife from gaining custody of their young son.

After a series of setbacks, high-achieving lawyer Reina must learn how to handle her mental health before her emotional outbursts destroy her career and her relationships.

When big-city TV journalist Kelly Faraday (Laura Leighton) gets fired, she moves back to her Nevada hometown, where a severe drought may force her aging mother, Ruth (Angie Dickinson), to sell the family farm to a casino developer. As Kelly and Ruth sort out old differences, the erstwhile reporter and her ex-beau Walt (David Lee Smith) begin to suspect the casino of manipulating the town’s water supply. Stephen Bridgewater directs this drama.

Three young martial arts students and their teacher are beaten up badly by a wandering man who proclaims himself “a corrector of bad kung-fu.” Determined to avenge their teacher and regain their honor, the three students all go their separate ways to find kung-fu masters who will take them as students.

Five friends embark on a camping trip to sacred Native territory and are warned to stay away. When they choose to ignore the warning they are confronted with strange occurrences, seductive apparitions, vengeful locals and a deadly behemoth. Their weekend of fun becomes a descent into hell.

In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached  manner leads to one mistake after another.

Angela West has always wanted a family, and now has one with her husband Keith. When an ex-boyfriend starts stalking her, Angela turns to Keith, but no matter what she tries, she can’t seem to shake the stalker who is ruining her life.

In a utopian society created at the end of the third world war, a female warrior who has been plucked from the badlands begins to see cracks in this new facade. And what does this community have planned for the rest of humankind?

British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways as the residents find new purpose in their old age.