Narrated by Academy Award winner Morgan Freeman, “JFK: A President Betrayed” uncovers new evidence that reveals how JFK embarked on secret back channel peace efforts with Nikita Khrushchev and Fidel Castro and was determined to get out of Vietnam despite intense opposition inside his own government.

Latin boogaloo is New York City. It is a product of the melting pot, a colorful expression of 1960s Latino soul, straight from the streets of El Barrio, the South Bronx and Brooklyn. Starring Latin boogaloo legends like Joe Bataan, Johnny Colon and Pete Rodriguez, We Like It Like That explores this lesser-known, but pivotal moment in Latin music history, through original interviews, music recordings, live performances, dancing and rare archival footage and images. From its origins to its recent resurgence in popularity, We Like It Like That tells the story of a sound that redefined a generation and was too funky to keep down.

The story of the real-life unlikely relationship between an outspoken civil rights activist and a local Ku Klux Klan leader in 1971 North Carolina.

The story of 14th century Czech icon and warlord Jan Zizka who defeated armies of the Teutonic Order and the Holy Roman Empire.

Melchior’s bride Keterlyn happens to witness an attack on a young man. The victim, who has lost his memory, does not know who he is and how he ended up in a Tallinn. A ring found at the scene leads Melchior to the trail of the nocturnal brotherhood, questions are also raised by the troupe of freaks who performed on fair day. Ominous signs suggest that not only is the stranger recovering from a murder attempt at risk, but Melchior and Keterlyn as well. At the same time, an inquisitor known as a ruthless witch hunter arrives in town. Melchior’s ability to “speak to the dead” and to notice invisible traces of murder have raised the suspicion that he may be a dangerous heretic. And the place of the enemy of the church is at the stake…

Explore how one man’s relentless drive and invention of the atomic bomb changed the nature of war forever, led to the deaths of hundreds of thousands of people and unleashed mass hysteria.

The Vicar of Bray is a satirical description of an individual fundamentally changing his principles to remain in ecclesiastical office as external requirements change around him. The religious upheavals in England from 1533 to 1559 and from 1633 to 1715 made it almost impossible for any individual to comply with the successive religious requirements of the state.

In 1912, driven by greed, the British embark on a Himalayan expedition in colonial India. Yet, the Kumaoni and Garhwali people retaliate, highlighting the grave consequences of imperial ambition through guerrilla warfare.

100 Years of Warner Bros. takes a historical look at the legacy of one of Americaandapos;s leading studios. The documentary explores the origin, evolution and endurance of Warner Bros. – from a family affair to a global juggernaut.

Buried Country was a cross-media juggernaut – book, film, CD – that first came out in 2000. The book was published by Pluto Press, beautifully designed by Wendy Farley; the documentary was produced through Film Australia/SBS TV, and directed by Andy Nehl, shot by Warwick Thornton and narrated by Kev Carmody

May, 1980. Man-seob is a taxi driver in Seoul who lives from hand to mouth, raising his young daughter alone. One day, he hears that there is a foreigner who will pay big money for a drive down to Gwangju city. Not knowing that he’s a German journalist with a hidden agenda, Man-seob takes the job.

In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess. Based on Munshi Premchand’s short story of the same name. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2010.