On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?

Sol Goode, a charismatic L.A. twenty-something, has always relied on charm, good looks, and fast talk to glide through life. But his luck may have run out; faced with eviction from his hipster apartment, totaling his car, and the threat of having to find a real job, Sol realizes that maybe the life he’s been leading is no longer making him happy.

Lisa and Marine live a life of relative companionship together, where the only man permitted into the equation is Lisa’s young son, Leo. However, their simple existence is thrown into disarray when Marie meets and falls in love with Alex, a customer at her bookshop. Lisa is left feeling excluded, and tension develop. But soon an unexpected accident forces all of those involved to reassess the situation and adopt a different position in each other’s lives.

Four girlfriends reunite for a week of partying on the beach, and it’s all sand, sun and margaritas until one of them turns up dead.

Half-sisters Aileen and Romina, along with first cousins Ruth and Sandra, reunite in Camiguin to bury their grandmother. Accompanied by Sandra’s friend, Lucy, the five girls dare to call on the spirits of the dead when they find their old Ouija board from when they were kids. The Ouija board is burned by accident before they are able to finish the ritual, trapping a murderous entity around them. As they begin to realize the terror that they have brought upon themselves, Aileen and Romina’s hostile relationship even become more strained, while Lucy’s sanity brings a heavy burden on Sandra, and Ruth’s boyfriend, Gino, is unknowingly pulled into the danger and horror that await all of them. Confronted by imminent Death, the girls have nowhere to go unless they can identify the spirit and find out where it is buried. It is only by leading the spirit to its burial ground that they will able to release the spirit from the Ouija board and survive its fatal hauntings.

A family of children decide not to tell anyone their father has died, and to live on their own in the backwoods of rural North Carolina. If the state finds out they are on their own, they will be split up and sent to live in foster homes.

To get a big promotion, Hayley, an advertising executive who specializes in social media and all things hip, must land a toy company that is all about traditional Christmas as an account.

A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.

Eva, 20, joins Safietou, Djaoua, Violette and Simone, a team of chambermaids at one of Paris’s finest Palace Hotels. She discovers the poor working conditions of these invisible women, who work tirelessly to keep the high standards of these luxurious hotels, where one night can cost their annual salary. Many are not even employed by the hotels directly but by sub-contractors, and are therefore particularly vulnerable. While on strike to fight against subcontracting and to obtain better working conditions, they come up with a colorful idea : having their own “Fashion Week” in front of the hotel!

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A writer goes to a vacation house to finish his book. But he develops a mental illness.

It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.