Germain, an introspective retiree, abruptly becomes a widower at 75. He barely has the time to realize what has happened to him before his family forces their way into his daily life: non-stop phone calls and visits, meals and activities organized in advance – all meant to make his life as regular as clockwork. But Germain’s mind is elsewhere. Honoring a promise he made to his dear departed wife, he suddenly finds himself at the heart of a contemporary dance company’s newest work.
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Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.
In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.
East is East writer Ayub Khan-Din returns with another funny, tender-hearted portrait of family strife. Based on his popular play Rafta, Rafta (itself inspired by Bill Naughtons 1960s classic All in Good Time), the film is set in Bolton where Atul and Vina are celebrating their marriage. However, a honeymoon spent with his parents was not part of their plans. Thoughtless patriarch Eeshwar seems determined to emasculate and embarrass his son. As the weeks pass, consummating their union becomes an impossibility that threatens the couples entire future. A breezy mixture of heartbreak and hilarity, All in Good Time also offers peerless performances from original stage stars Harish Patel and Meera Syal.
While Pranchiyettan, a devotee of St. Francis of Assissi, attains the best of riches, he is unsatisfied with his reputation and sets off to popularise himself as a celebrity in society.
The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.
Punk’s Dead, the sequel to 1999 cult hit SLC Punk, is a punk romp through the Utah hinterlands. Ross, Penny and Crash, young outsiders from different tribes, embark on a road trip to a huge punk show. Ross, 19, is the love child of Trish and Heroin Bob, who died before Ross was born. During their odyssey, and with the help of a healthy dose of drugs, alcohol and punk music, Ross shreds his darkly Gothic outlook and embraces life. His mother Trish, who raised Ross alone in her steam punk shop, discovers that he is in a crisis. She recruits his ‘uncles,’ Bob’s old SLC gang, to help find him. When all collide at the concert, they are forced to deal with their unresolved relationships with Bob.
They’ve swapped Christmas – again. Can Hayley and James’ relationship survive another turbulent family Christmas or has their future together gone off-piste?!
