Two billion years ahead of us, a future race of humans finds itself on the verge of extinction. Almost all that is left in the world are lone and surreal monuments, beaming their message into the wilderness.
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High School student David Lightman (Matthew Broderick) has a talent for hacking. But while trying to hack into a computer system to play unreleased video games, he unwittingly taps into the Defense Department’s war computer and initiates a confrontation of global proportions! Together with his girlfriend (Ally Sheedy) and a wizardly computer genius (John Wood), David must race against time to outwit his opponent…and prevent a nuclear Armageddon.
Kenji is your typical teenage misfit. He’s good at math, bad with girls, and spends most of his time out hanging out in the all-powerful online community known as OZ. His second life is the only life he has – until the girl of his dreams, Natsuki, hijacks him for a starring role as a fake fiancé at her family reunion. Things only get stranger from there. A late-night email containing a cryptic mathematic riddle leads to the unleashing of a rogue AI intent on using the virtual world of OZ to destroy the real world. As Armageddon looms on the horizon, Kenji and his new “family” set aside their differences and band together to save the worlds they inhabit in this “near-perfect blend of social satire and science fiction.”
This science fiction love story follows the forbidden relationship between a ‘low born’ boy and a ‘high born’ girl in an alternate reality where every person’s relationships and life worth are determined by their innate “frequencies”.
A man and woman are drawn together, entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.
In a near future when environmental havoc is causing food shortages and compelling the government to protect its organized crop system by deploying sentinel drones, a handful of locals discover a sinister connection between sick farmland inhabitants and the tech that’s meant to be protect them.
When an alien comes back to take him, a mouthless young man’s life twists and turns as his memories untangle.
With the villagers of Saint-Élie-de-Caxton barely having enough food to survive, Ésimésac convinces them to collaborate on a community garden. Each person will multiply his or her yield by cultivating the land together. At the same time, talk of a new railway line promises to connect Saint-Élie-de-Caxton to the rest of the world and brings the hope of abundance. Riopel, the hulking blacksmith, starts working on the railway track and convinces the locals to invest in his project rather than waste their time playing in the garden. Ésimésac’s big project flounders under the weight of metal. But can he really stop progress?
In ancient Rome, bathhouse architect Lucius (Hiroshi Abe) becomes famous with designing the original “thermae” (bathhouse). He receives an order to build a thermae in the colosseum to help gladiators recover from their wounds, but faces difficulties. Thus, Lucius travels again to modern day Japan through the time slip. He meets Manami (Aya Ueto) again, who is now a reporter for a magazine which covers bathroom. With the help of the flat face Japanese tribe, Lucius again designs a new thermae. Meanwhile, Emperor Hadrian (Masachika Ichimura) wants to keep the peace with the thermae, but the Senate wants to extend the land by using force. Emperor Hadrian and the Senate now have a confrontation and Rome becomes divided.
In the near future, breathable air is nonexistent. Virtually all of humanity has disappeared, and those chosen to reestablish society reside in a controlled state of suspended animation. Two engineers tasked with guarding the last hope for mankind struggle to preserve their own sanity and lives while administering to the vital task at hand.
The perfect killing machine is reprogrammed to think and feel.
