Three middle-aged daddies visit California to have a marvelous time at the beach. When they learn that a nice apartment and an expensive cabriolet isn’t enough for them to score with the chicks, they employ a student to help them. At first he’s as disgusted of them and his job as his girlfriend, but soon they find out how to use the situation to everyone’s benefit.

Wiener-Dog tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading a certain kind of comfort and joy. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip picking up some depressed mariachis along the way. Wiener-Dog then encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more.

This year, Santa’s daughter (Maria Thayer) takes her first trip away from the North Pole during the Christmas season hoping to find adventure and love in sunny California. While Santa watches his daughter through a magic snow globe, Annie arrives in L.A. and becomes friends with the owner of Candy Cane Inn, Lucy (Vivica A. Fox), and her daughter, Mia (Nay Nay Kirby). She also quickly lands a job at Wonderland Toys. Wonderland Toys’ owner, Ted (Sam Page) is struggling to stay in business selling old-fashioned toys in a digital world. Annie soon realizes that she wants Ted’s business to thrive because she has feelings for this Christmas traditionalist.

In a quiet countryside farmhouse, Britain’s vampires gather for their once-every-fifty-years meeting. Others will be joining them too; Sebastian Crockett, an unwitting Essex boy who thinks he’s on a promise with sexy cougar Vanessa; and a detachment of Special Forces vampire killers who have bitten off more than they can chew. This is certainly going to be a night to remember… and for some of them it will be their last.

An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend’s wedding, only to get thrust into the lives of Asia’s rich and famous.

An obnoxious meter maid and social media junkie, Michael fakes his own death to see which of his many friends will attend his funeral.

A comedy film about North and South Korean soldiers vying for a winning lotto ticket that crossed the demarcation line because of the strong wind.

This sequel to the box office hit All for One finds the previously tight-knit trio dispersed: Nikolai is on parole, while brothers Ralf and Timo are planning a heist involving the unlikely combination of unsalted butter, a strict diet and a helicopter. When their seemingly impossible heist succeeds, Nikolai asks to borrow some money to start over. The brothers reject him, but when all three of them are tricked by a fish-loving banking executive, they are forced to team up again.

To save his career, an ad man wants a sex symbol to endorse a lipstick. But she wants something too: he has to pretend to be her new lover.

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann’s regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

Rebellious 16 year old Poppy from Mailibu is sent to an English boarding school. Realising her Father isn’t coming back to rescue her she tries to get expelled.

Exclamation Mark Question Point is the debut special from Andy Peters. More bootleg than traditional special, Andy recorded only one show, one night at The Virgil in Los Angeles. The special features a bouncy mix of Andy’s dive-in-head-first approach to comedy. With The Virgil’s intimate space as a backdrop, Andy litters the show with playful self-deprecating bits, a healthy dose of “screaming at strangers” and a nonstop stream of riffs.