The film follows Allison Forche-Marlow, a beautiful, bright, determined, and organized woman, who never gives up trying to heal her autistic son, whom she fiercely loves, no matter what it demands of everyone.
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A penniless mother, with her infant child, takes on a journey by land and sea to find her husband in Manila. But this trip won’t be free for she has to use her body to get to her destination.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
With a duty to deliver every last letter before Christmas, the beloved quartet of post office detectives—Oliver, Shane, Rita and Norman—are working around the clock to redirect Santa’s mail just as Oliver runs into his former Sunday school teacher. When they receive an emotional last-minute plea not meant for Saint Nick, but instead written to God, they must delay their own travel plans to make sure one little girl doesn’t lose her Christmas joy—something Oliver and Shane are also struggling to find as they each face painful holiday memories. With a little guidance from a mysterious post office volunteer, Jordan, the Postables are more surprised than anyone to discover they’ve been a part of more than one miracle on this Christmas Eve.
Carrie Evans, a beautiful young attorney with aspirations to become partner like her fiancee Steven Riggs, learns some disturbing facts about her family and her boss Caswell Foxx as she researches a big case. She becomes so entrenched in the case that it causes her to risk her career, freedom and her relationships.
American CIA Field Operative, Johnnie Allen, is assigned to Denmark for his first mission. An American spy highly placed in the Kremlin is to be spirited out of Russia, and it is Johnnie’s job to get him safely to Antwerp where the agent will board a freighter. Johnnie, who is a young gay man, meets and falls in love with a Danish lad named Sander, who is apparently straight. Wanting to keep his friend close to him, he makes the mistake of bringing him on the mission. What will become of their friendship if Johnnie confesses his love to Sander? And is the Russian agent all he seems to be? Set against a backdrop of European espionage, Happy Endings Sleepover is a celebration of gay youth in a world where love should never be Top-Secret.
Adan Kundle, CEO of a major advertising agency, is discovered unconscious in front of a wall of TVs. When he wakes in the hospital, Adan can only communicate through advertising slogans.
Ty was a frustrated toy salesman until his collaboration with three women turned his stuffed animals into a defining ’90s trend. This behind-the-scenes look at history’s biggest toy craze is a wild story about what—and who—is valued in this world.
Like it or not, porn is here and it is harmful. In this controversial film, award-winning filmmaker Justin Hunt dissects the impact of pornography on societies around the globe, from how it affects the brain of the individual, to how modern technology leads to greater exposure to youth, to watching it literally tear a family apart. In what may well be one of the most devastating issues in modern culture, this film will break down the damage that porn is doing to us a human race and leave you thinking that it’s clearly time that we start taking porn addiction a bit more seriously.
Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma’s home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma’s grandson and take care of him. A change takes place in Izumi.
In a dystopian future, where corporate brands have created a disillusioned population, one man’s effort to unlock the truth behind the conspiracy leads to an epic battle with hidden forces that control the world.