A story about a police officer who was assigned to a secret mission as an undercover drug dealer, with the license to kill, deal in drugs, and do whatever is required for his identity to remain secret, with the ultimate purpose of reporting back to his supervisors. Gradually, after years of losing grip over his mission and purpose, realising that being a drug dealer has become his true identity, and that he hasn’t heard back once from his supervisors, he then goes and tries to contact them back, only to realise that the designated postman had never delivered back any of the reports to his supervisors, let alone is aware that they exist.
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From the director of “Eden Prime,” “Hardline 2nd Term,” Kennedy Lucas’ next thriller expands to the era of the 1940s, when Detective John Clark uncovers the murder mystery of young impressionable women in the heart of Hollywood.
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Jack is utterly fed up with living at home. He longs for love, freedom and the music by KISS.
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Lucas Simons has become obsessed with death following the loss of his older brother. A shy child, Lucas spends most of his free time filming funerals in an attempt to understand what happens when we die. When Lucas accidentally captures a mysterious presence in one of his films and posts it online, he inadvertently becomes a YouTube phenomenon and the target of media speculation. Suddenly, he and his grief-numbed parents find themselves thrust into the spotlight, shaking them out of their complacency while complicating their relationship. Lucas’s quest for answers leads him toward an unlikely friendship with Chris Brighton (Tim Meadows), a local author who died for nine minutes and lived to tell about it. As Chris takes on a mentor role to Lucas, he helps him navigate the fame while teaching him how to embrace life again and live larger than the shadow of death. (from Nashville Film Festival)
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