The traditional struggle, known as Lamb in Wolof, which recalls the Greco-Roman struggle, is a popular national sport in Senegal. It has special rules and very strict. Every spectator can bet on his favorite wrestler in a festive atmosphere. The Dakar Arena serves as a showcase for the battles in the film.
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Sir Hubert Parry is simultaneously one of Britain’s best-known and least-known composers. Jerusalem is almost a national song, regularly performed at rugby grounds, schools, Women’s Institute meetings and the Last Night of the Proms, while Dear Lord and Father of Mankind is one of Britain’s best-loved hymns. Everyone knows the tunes, yet hardly anyone knows much about the man who wrote them. In this film, HRH The Prince of Wales, a long-standing enthusiast of Parry’s work, sets out to discover more about the complex character behind it, with the help of members of Parry’s family, scholars and performers. This feature-length documentary by the award-winning director John Bridcut offers fresh insight into the life and work of Hubert Parry through the unique perspective of HRH The Prince of Wales.
While the hunt for Lord Lucan has dominated the media for half a century, the name of the victim, Sandra Rivett, has been forgotten.
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Ai Weiwei is known for many things – great architecture, subversive in-your-face art, and political activism. He has also called for greater transparency on the part of the Chinese state. Director Alison Klayman chronicles the complexities of Ai’s life for three years, beginning with his rise to public prominence via blog and Twitter after he questioned the deaths of more than 5,000 students in the 2008 Sichuan earthquake. The record continues through his widely publicized arrest in Beijing in April of 2011. As Ai prepares various works of art for major international exhibitions, his activism heats up, and his run-ins with China’s authorities become more and more frequent.
Fathers who are fighting for a fair chance to get the time to be a true father to their children in a system that they believe to be corrupt and unfair.
Cane Toads: The Conquest is a comic yet provocative account of Australia’s most notorious environmental blunder from filmmaker Mark Lewis.Shot against the harsh and beautiful landscape of northern Australia, Cane Toads: The Conquest tracks the unstoppable journey of the toad across the continent. Director Mark Lewis (Cane Toads: An Unnatural History, The Natural History of the Chicken) injects his trademark irreverence and humor into the story as he follows a trail of human conflict, bizarre culture and extraordinary close encounters.Filmed with high-resolution 3D technology, Cane Toads is the first Australian digital 3D feature film. Custom designed equipment allows viewers to get up close and personal with these curious creatures like never before. The unique viewing experience is like being immersed in the world of the toad.
A special from Lizzy Hoo about life, family and following your dreams, but only if they’re worth it. With tales about her former office life, her brother’s backyard trout-farming dreams, and father-daughter trips to Malaysia with her larger-than-life father Chan. Lizzy’s show is an hour of big laughs and good times from a comedian whose profile has exploded in a few short years.
Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.
The film explores the global power and impact of the music of John Coltrane and reveals the passions, experiences and forces that shaped his life and revolutionary sounds.
Using only archive film and a new musical score by the band Mogwai, Mark Cousins presents an impressionistic kaleidoscope of our nuclear times – protest marches, Cold War sabre-rattling, Chernobyl and Fukishima – but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.
Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?
