In a near future, due to the effects of an uncompromising law on the eco-sustainability of supports, paper has become a rare item, a luxury possession, controlled by the “Big Z”: Zimurgh Corporation.

An elderly ex-serviceman and widower looks to avenge his best friend’s murder by doling out his own form of justice.

A degenerate gambler, unable to come up with the cash necessary for a high stakes gin rummy game, bets his nubile daughter. And loses. His daughter immediately becomes the delectable property of a hot-to-trot sex fiend and the film promptly becomes a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, and more.

Obsession, sex and illusion are exposed in a series of stories.

In the Old Stone Age, a disparate gang of early humans band together in search of a new land. But when they suspect a malevolent, mystical, being is hunting them down, the clan are forced to confront a danger they never envisaged.

Introverted and peculiar, Mara spends her days fabricating props for movies. But her reclusive persona conceals an internal wrath. Terrified of being alone, Mara refuses to let her lovers leave, sadistically murdering them and keeping their corpses as living dolls. When she’s hired by Kat, a fledgling producer, the two instantly hit it off. As their relationship grows more intense, Mara begins to lose her already fragile grip on reality. When her dolls begin demanding all of her attention, and Kat threatens to break her heart, Mara spirals into psychosis, leaving her no choice but to kill again.

In the Fall of 1940, the entire population of Friar, New Hampshire walked together up a winding mountain trail and into the wilderness. Without warning, they left behind everything: their homes, their clothes, and their money. The only clue where they went was a single word etched into stone near the forest’s edge: YELLOWBRICKROAD.

When Natalie’s boyfriend is murdered, she builds a machine to change the past by changing her own memories. An FBI agent, her sister and her therapist all try to stop her before she hurts herself, but there’s no use. She’ll do anything to get him back.

In a family-owned bowling alley, tension arises between two brothers following their father’s death. Meanwhile one of them, a cop, is investigating a series of disturbing murders. Both brothers soon find themselves trapped in a looming darkness.

With his wife in labor, father-to-be Thomas (Malik Zidi) speeds to the hospital, and in the process, accidentally kills a young man on the road. That death sets into motion events that will change everyone’s lives forever, including the young man’s mother Marie-France (Nathalie Baye), who cannot recover from the trauma. Nine years later, Marie-France takes a job as Thomas’s secretary without him knowing about her connection to his past. As Marie-France’s maternal rage reaches tragic proportions, she insinuates herself into his life, his work and his family in this classic thriller à la Hitchcock.

A recent college graduate and her estranged high school friends return to Lantern’s Lane, the location of an evil urban legend and must fight to survive the night.

A boy transfers to a school in the countryside, where he finds himself attracted to a mysterious girl. The girl lives alone with her mental patient father and enjoys skating alone on the lake at night. Villagers and classmates spread rumors about the girl, but the boy doesn’t care. Then one day, her father disappears and the boy becomes witness to suspicious activity. Other than a few documentaries, this is Choi Jin-seong’s first feature film. Steel Cold Winter is no normal teenage love story.