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A graffiti artist in his early 20s, begins a 3½ year prison sentence for vandalism. He must attempt to cope with the struggles of his new life on the inside: sharing a cell with an aggressive murderer, being moved to high security, living 23 hours a day alone. An unlikely allay soon teaches him how to survive. Questions then begin to arise. Who can he trust? Will he ever find solace?
A reporter who exposed a Senator’s illegal activities, causing him to commit suicide, has been kidnapped by his daughter and taken deep into the woods. They soon encounter something much more sinister out in the wilderness, and it’s hunting them.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
After several years together, William and Cecilie break up. To treat the sorrow with love the same night they decide to do the drug MDMA together. This results in a emotional roller coaster ride over a whole weekend, where they’re isolated together in their apartment.
Refugees are captured by border patrol officers as one woman escapes to find herself surviving on her own in a foreign land.
