A woman is the prime suspect in the mysterious drowning death of her anchorwoman sister.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

A travel writer improves her love life when she becomes an editor for her father’s wedding magazine.

The hunt, capture and trial of Guy Georges, one of France’s most notorious serial killers.

After a violent altercation, a runaway youth goes on the lam with a charming beach dweller offering an easy way out, but once they skip town, she quickly realizes that the harrowing past she’s running from is one she may never escape.

Vitus tells the story of a highly-gifted boy (played by real-life piano prodigy Teo Gheorghiu) whose parents have demanding and ambitious plans for him.

Maya, a 19 year old queer pixie, gets romantically involved with her sexually fluid insta-crush and unknowingly inserts herself into a twisted love triangle.

Former pool hustler “Fast Eddie” Felson decides he wants to return to the game by taking a pupil. He meets talented but green Vincent Lauria and proposes a partnership. As they tour pool halls, Eddie teaches Vincent the tricks of scamming, but he eventually grows frustrated with Vincent’s showboat antics, leading to an argument and a falling-out. Eddie takes up playing again and soon crosses paths with Vincent as an opponent.

When the champ’s promoter, Rev. Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The problem is that he isn’t a boxer anymore and he’s white. However, once Rev. Sultan convinces him to fight, he goes into heavy training while the confident champ takes it easy and falls out of shape.

A pregnant widow, believing herself to be guided by her unborn child, embarks on a homicidal rampage.

When depressed and withdrawn Catharine meets a secretive boy online, she begins to come out of her shell. But is he a suitor or a stalker, a friend or foe? The mystery of his existence fuels obsession, denial and deceit, sending her to the point of no return. In the midst of cliques, boyfriends, and digital drama, Catharine is trying to make sense of a world of uncertain identities. The film was inspired by the writer-director’s own experience parenting his teenage daughter in the world of cyberspace. @urFRENZ was made to serve as a talking point for the subject matter of bullying and cyberbullying, the number one hot button issue between parents and teens today.

Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou’s feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.