Millionairess actress-singer Marie Coleby (Deborah Couls) lives in a luxurious villa on a deserted beach. One afternoon following a TV commercial shoot at the villa she incites gardener Gordon Mason (Chard Hayward) to mayhem and murder. The unexpected arrival of Marie’s sister Jenny Nolan (Louise Howitt) hinders Mason’s attempts to dispose of the body. He then decides to kill Jenny. But she is equally determined to stay alive … so begins a battle of wits. Jenny’s salvation seems at hand when two security men arrive at the villa, but only one, Officer Collings (Roger Ward) survives the initial siege. Then Jenny is alone to face Mason for the final time …
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While exploring the neighboring woods, 13-year-old John discovers an unfinished bunker — a deep hole in the ground. Seemingly without provocation, he drugs his affluent parents and older sister and drags their unconscious bodies into the bunker, where he holds them captive. As they anxiously wait for John to free them from the hole, the boy returns home, where he can finally do what he wants.
The film is set in the Midwest against a backdrop involving a killing spree thought to be orchestrated by a satanic cult. Three best friends embark on a road trip to a heavy-metal show, where they bond with three aspiring musicians and head off to one of the girls’ country home for an afterparty. A night of fun and youthful debauchery takes a deadly turn as bodies begin to pile up, with each side thinking the other hides the killer.
A military officer in command of a drone operation to capture terrorists in Kenya sees her mission escalate from “capture” to “kill” just as a nine-year old girl enters the kill zone.
Jack Manfred is an aspiring writer who to make ends meet, takes a job as a croupier. Jack remains an observer, knowing that everything in life is a gamble and that gamblers are born to lose. Inevitably, he gets sucked into the world of the casino which takes its toll on his relationships and the novel he is writing.
Born free in the American West, Black Beauty is a horse rounded up and brought to Birtwick Stables, where she meets spirited teenager Jo Green. The two forge a bond that carries Beauty through the different chapters, challenges and adventures.
A con man and a would-be filmmaking crew force themselves into the lives of two grief-scarred young women. But nothing is as it seems.
China’s deadliest special forces operative settles into a quiet life on the sea. When sadistic mercenaries begin targeting nearby civilians, he must leave his newfound peace behind and return to his duties as a soldier and protector.
Set in Harlem in 1987, Claireece “Precious” Jones is a 16-year-old African American girl born into a life no one would want. She’s pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret–she can’t read.
Shooting a vampire flick in an old, abandoned manor house should have worked like a dream, but the film crew is out of their depth, over schedule and desperate to get the shoot finished and go home. However, as the moon turns full, the nightmare begins. Blood flows and the body count rises as cast and crew meet the manor’s resident werewolf…
Fantasy – A failed sculptor discovers a strange, talking hole in the wall. It has the power to fulfill his wildest dreams…and become his worst nightmare. – Mary McDonald-Lewis, Don Alder, Sean McGrath
An aging former child star tries to capture the wealth that has always eluded him by latching on to a lucky man while both have their eye on the same girl of their dreams.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.