In 1858 Lourdes, France, Bernadette, an adolescent peasant girl, has a vision of “a beautiful lady” in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the Virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives.

Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.

Sleazy music promoter Boojie Baker convinces a pop band to come work for him. He arranges play dates, publicity, record contracts, and the band’s loyalty by getting his hired girls to exercise their feminine charms on all who stand in his way. Thus he creates the new music sensation, The Big Blast, but the band is unhappy about Boojie keeping most of the money. When they try to leave, Boojie sets them up for trouble with the law, but offers to bail them out if they sign the contract. Can’t anyone stop this scum bucket?

Gilly comes out of prison after serving a six year stretch and decides that he will now turn his life around and go straight. But when he returns to his South London home and visits his old colleague J, in hope of obtaining his share of the proceeds from the job that landed him inside, J soon talks him into getting involved in one last scam.

Survivors of a nuclear attack are grouped together for days in the basement of their apartment building, where fear and dwindling supplies wear away at their dynamic.

In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.

An ensemble cast telling 10 stories with intertwining characters. One story is about a father and son who are dating the same woman . Another features a woman who long ago gave her baby up for adoption but is now being blackmailed by a documentary filmmaker who claims to know the now-grown child’s whereabouts.

A commitment-phobic man reunites with his estranged, ailing father and comes to terms with his own childhood.

Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, “Come back to me.” Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their ‘time” difference, and can Richard remain in a time that is not his?

Jack Williams was the best friend of Vietnam veteran and detective Mike Hammer. When Jack is murdered, Mike makes it his business to solve the crime. He is helped by his secretary Velda, and partly helped, partly hindered by the Chief of Police, Pat Chambers. On the trail of the killer, Mike discovers government conspiracies, and plots used by the CIA and the Mafia.

For over 130 years till 1996, more than 100,000 of Canada’s First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these ‘residential schools’ across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into ‘Canadian society.’ These schools were established with the express purpose ‘To kill the Indian in the child.’ Told through their own voices, ‘We Were Children’ is the shocking true story of two such children: Glen Anaquod and Lyna Hart.

The film centers around retired police detective Derrick Stanswood (Mann), who is called by a successful doctor about an unsolved case involving his wife Maggy (Cottrel) and their son, Cole (newcomer Kevin Fennell). Chasing after loose ends in a backward rural town, Derrick has no idea that Maggy has been held captive for the past eight years by farmer Lukas Walton (K.J. Linhein, “Jebediah”), who is raising Cole as his own son in a wrongful world that holds its own horrors (http://mrpotent.com/deerCrossing/).