Leningrad, one summer in the early eighties. Smuggling LP’s by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the destiny of rock’n’roll in the Soviet Union.

Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria’s arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means “Motherland.” The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.

A young boy has lost his mother and is losing touch with his father and the world around him. Then he meets Hesher who manages to make his life even more chaotic.

Madame Ranevskaya is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin (Teale), her former serf, who has his own agenda.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

In the sixties, Eddie and the cruisers was the hottest band around. But the tragic death of its lead singer broke the band up. Only Eddie is not dead. He works as a carpenter in Montreal. His love of music forces him to create a new band which will have to struggle with its anonymity.

A chronicle of Russia’s transition from communism to capitalism.

10-year-old Pixote endures torture, degradation, and corruption at a local youth detention center where two of its members are murdered by policemen who frame Lilica, a 17-year-old trans hustler. Pixote helps Lilica and three other boys escape and they start to make their living by a life of crime which only escalates to more violence and death.

Lives intertwine over the course of the Nuit Blanche art festival.

The extraordinary journey of Adebayo ‘The Beast’ Akinfenwa, twenty-years defying the odds; adored by fans, respected throughout the sport and commanding more attention than most.

Mathieu, a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities. Imprisoned and accused of sexual abuse on his own daughter, he realises he is a victim of a Kompromat. With the help of the FSB, someone has built up a case to frame him. Isolated, he has no one to turn to. Proving his innocence is impossible: the only solution is to escape.