In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.
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The story follows a trio of Japanese youths of Chinese descent who escape their semi-rural upbringing and relocate to Shinjuku, Tokyo, where they befriend a troubled Shanghai prostitute and fall foul of a local crime syndicate. Like many of Miike’s works, the film examines the underbelly of respectable Japanese society and the problems of assimilation faced by non-ethnically Japanese people in Japan.
Ram is one among the five orphaned boys in Visakhapatnam, adopted by a doctor who ensures them a roof to live under, with dignity. Ram goes to any extent to protect his family and he’s a handful for the baddie to handle in a time of crisis. How does Ram protect his family when they need him the most?
When Destiny, captain of three-time national champions “The Rebels,” is challenged to a global cheer showdown by an edgy new team called “The Truth,” the Cheer Goddess organizes a virtual battle for squads from all around the world. It seems like the whole world wants to take down Destiny and her team, and they just might succeed, unless Destiny can rise to the challenge, set her ego aside and figure out who her real friends are.
When she’s diagnosed with breast cancer, Brenda begins completing her bucket list with the help of the daughter she long ago put up for adoption.
When misfits Barry and Evan design their ideal woman as a robot, they realize a fortune could be made if they had the money to mass produce their prototype. A wealthy prince soon finds out about their invention and the three hatch a plan to rule the world and change sex and the future! If life were that simple.
Garfield, the fat, lazy, lasagna lover, has everything a cat could want. But when Jon, in an effort to impress the Liz – the vet and an old high-school crush – adopts a dog named Odie and brings him home, Garfield gets the one thing he doesn’t want. Competition.
The final days of Jesus from the time he enters the city of Jerusalem. Viewed as a threat, it is decided that he must be captured, tried, and executed as a criminal, a plan aided and abetted by disciple Judas Iscariot.
“Muffin Top: A Love Story” is the story of Suzanne (Cathryn Michon) a Women’s Studies Pop Culture professor at Malibu University, who studies images of women in the media for a living, and yet is made insecure by the constant parade of female perfection that is our airbrushed culture. She has been going through IVF treatments to get pregnant by her network executive husband (Diedrich Bader), but discovers on her birthday, that her husband has knocked up his younger, skinnier, co-worker (Haylie Duff) and wants a divorce. Happy Birthday! She goes on to find a more authentic version of who she really is, despite the delights of being suddenly single in Los Angeles, where low self-esteem for women is our number one export to the world.
