A couple on the brink of divorce decides to keep their marital woes a secret as they help their daughter plan her wedding. As the two work together on the happy occasion, they soon discover that their own marriage might just be worth saving.

A wine baron (Harsh Chhaya) wants to use a supermodel to launch his new liquor label in the market. He recruits a photographer (Ashmit Patel) to organize a talent hunt in Fiji for the same. Amidst this backdrop, an upcoming model (Veena Malik) faces competition from other beauties for the endorsement deal until the contestants mysteriously start getting murdered one by one and the needle of blame seems to point towards her.

Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim.

A married Sicilian baron falls in love with his cousin and vows to wed her, but with divorce illegal he must concoct a crime of passion to do away with his wife.

College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”

Women are practically throwing themselves at Rich and he can’t seem to control himself. But he continually blames his penis, which seems to have a mind of its own. After ruining yet another promising relationship with Jamie, Rich has finally had enough and wishes his penis would just leave him alone. The next morning, Rich wakes up to find his wish has come true and his johnson is no longer on his body. Even worse, Rich is shocked to discover that his penis has taken human form…

An unconventional thinker (Shah Rukh Khan) helps a budding cinematographer (Alia Bhatt) gain a new perspective on life.

In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion-but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman’s daughter, who is at a crossroads in her life.

Life in 1847 Paris is as spirited as champagne and as unforgiving as the gray morning after. In gambling dens and lavish soirees, men of means exert their wills and women turned courtesans exult in pleasure. One such woman is Marguerite Gautier, who begins a sumptuous romance with Armand Duval.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Madhav Jha, a rustic boy from Bihar who is drawn to his college-mate, Riya Somani, an affluent English-speaking girl from Delhi. There’s just one hitch here. Riya is willing to go thus far and no further; Madhav continues being obsessed with her. Will the Bihar boy and the Delhi girl make it past the half-way mark?