Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.

Ever bought a used car from a dealer before? Want to know what REALLY happens behind the scenes? This movie offers some insight through the eyes of one of the dealers.

A small-time politician aspires to become the leader of the state.

Two friends are invited for a weekend to a luxury island with their boss. The boss gets shot and nobody seems to notice, except for the two friends. In order not to become suspects of murder they treat the body as a puppet and make people believe he’s still alive. The killer wants to do his job so when he is informed that the stiff is still alive he’s got to shoot him again, and again, and again.

Comedy’s “Bitter Buddha”, Eddie Pepitone, is a ranting absurdist and a self-deprecating rage machine. His random non-sequiturs are a refreshing antidote to stand-up’s standard observations.

Mateo and Camila, a couple that allow each other being unfaithful with a unreachable someone chosen by each.

Change of Gangster’ (转型团伙) is a Chinese gangster comedy directed by Francis Ng. The film centres around an actor who is injured in a shooting accident and wakes up believing he is a triad boss. The cast includes Francis Ng, Qiao Shan, Feynman Ng, and Wen Song.

A group of eleven recruits, composed entirely of excruciating social stereotypes, and one dorky camp instructor, embark on a weekend-long work retreat in the quasi-wilderness of northern south-east Queensland. Everything goes relatively smoothly, that is to say, lamely, until (you guessed it) one of the group turns out to be a homicidal maniac hell-bent on dispatching the others in a variety of creative ways. Based on the Pulitzer-Prize-winning novel (sic), The Killage is a wacky, fright-filled journey into the darkest recesses of the human intestines. Bring a box of tissues.

Chester Wooley (Lou Costello) and Duke Egan (Bud Abbott) are traveling salesmen who make a stopover in Wagon Gap, Montana while enroute to California. During the stopover, a notorious criminal, Fred Hawkins, is murdered, and the two are charged with the crime.

Charlie Bubbles, a writer, up from the working class of Manchester, England, who, in the course of becoming prematurely rich and famous, has mislaid a writer’s basic tool – the capacity to feel and to respond. Now he must visit his estranged wife and son, whom he has set up on a farm outside his native city. His journey accidentally becomes an attempt to reestablish his connections with life, people, and his own history

Good hearted but not very wordly-wise, Dante is happy driving the school bus for a group of mentally handicapped children, while feeling he is somehow missing out on life and love. So he is very excited when after nearly being knocked down by her car he meets Maria, who seems immediately enamoured of him. He is soon invited to her sumptuous Palermo villa, little suspecting that this is part of a plot. He bears an amazing likeness to Maria’s stool-pigeon gangster husband and it would be convenient for them if the mobster, in the shape of Dante, was seen to be dead and buried.

Feeling pressured to become more sexually experienced before she goes to college, Brandy Klark makes a list of things to accomplish before hitting campus in the fall.