Claudina is a repressed woman from the countryside. After her husband passes away, she meets Elsa, a married woman with whom she discovers real love. In a little conservatory town in the south of Chile, obsessed with UFO sighting, she starts a new journey.
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A young and cynical female journalist learns love may transcend trials and time as she discovers a story that will change her life forever. When war separates lovers on their wedding anniversary Feb. 14, 1944 at LA Union Train Station, Navy pilot Neil Thomas makes a promise he isn’t sure he can keep – to return to the train station safe by their next anniversary. For sixty years Caroline Thomas keeps her promise by waiting at the train station until her missing in action husband can finally keep his with the “lost valentine.” The message and meaning shows romance and love can be real; worth fighting, and maybe even dying for.
Gritty independent action/thriller set in Manchester, UK starring Michael L. Knight.
Gwendolyn Shepherd is a normal 16-year-old, but her family holds a secret: A time-travel gene is expressed in the clan inherited, but not every member of the family is blessed with. Everyone is certain that Gwen’s cousin Charlotte has the gene. However, someday Gwendolyn suddenly finds herself in London at the end of the 19th century and realizes that it her, who was born a time traveler. While she is not very enthusiastic about it she will do everything possible to solve the ancient mysteries of the red ruby.
The story revolves around a “surprise” kidnapping case. Liu Xiaojun (Dapeng), the owner of the car dealership, was involved in a kidnapping case for the accident of reselling a black car. He was surrounded by the kidnapped little girl Kiki (Ulanto Yaduo), the dereliant brother Xia Xi (Ou Hao) Several seemingly irrelevant people, such as Xia Tao (Sha Baoliang), dancers (Li Meng ), and second-hand car dealers (Cao Bingyu), have also fallen into the abyss of eternal annihilation.
Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it’s an obsession that blinds him to what’s either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother’s music, and the music of an entire generation of slackers, by taking on the persona of a gangsta’ rapper.
James Cagney stars as a fledgling producer who finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences. Co-starring Joan Blondell and Dick Powell with spectacular Busby Berkeley dance sequences. Inducted into the Library of Congress National Film Registry.
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won’t turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle’s iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle’s willingness to cave in to society in order to save the relationship.
A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.
Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but they’re mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kong’s only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his son’s youth guard activities and where to buy eggs after Hong Kong’s last chicken farm closes down.
A pizza cook who’s never left his college town meets the girl of his dreams before finding out there’s a huge roadblock to them being together.
Conflict-avoidant Thomas just wants a relaxing holiday in the Swiss Alps. But, it’s a slippery slope from the beginning. In an effort to repair his own family ties and to impress his boss, he takes his family and his employer’s daughter with him. Tragedy strikes and Thomas feels responsible. Should he be his typical passive self? Or risk doing the right thing at the expense of his relationships with his family and employer?
