Paris, spring 2015. Faustine travels to Syria with her little son to join ISIS; but, once in Raqqa, she soon realizes the hell she is gotten herself into. Her husband Sylvain quickly understands that the French government is powerless to help him, so he plans with some friends a high-risk extraction operation to get his family back.

Poor but happy, young Nello and his grandfather live alone, delivering milk as a livelihood, in the outskirts of Antwerp, a city in Flanders (the Flemish or Dutch-speaking part of modern-day Belgium). They discover a beaten dog (a Bouvier, a large sturdy dog native to Flanders) and adopt it and nurse it back to health, naming it Patrasche, the middle name of Nello’s mother Mary, who died when Nello was very young. Nello’s mother was a talented artist, and like his mother, he delights in drawing, and his friend Aloise is his model and greatest fan and supporter.

In the early 19th century, Dr. Frankenstein (Patrick Bergin, Sleeping with the Enemy) discovers the secret of life – how to create a perfect man – powerful, intelligent and immune to disease. But something goes wrong in the laboratory and the doctor’s hideous creation (Randy Quaid, National Lampoon’s Vacation) disappears into the night. At first, Frankenstein hoped that the horrible monster would perish in the wilderness, but now he senses that it’s alive and sets out for him. Dr. Frankenstein tracks the creature to the Arctic, where the two must battle to decide who will become the master of the other’s life…or death. “Nobody’s ever done a Frankenstein like this one and nobody’s ever done a better one” (Houston Chronicle).

An 84-year old charming but delusional WWII veteran forms relationships with two elderly women and goes on a crusade to save them from the isolation of their retirement homes in East Hollywood.

A look at the final days in the life of playwright William Shakespeare.

‘Give Them Wings’ is based on the true story of severely disabled football fan Paul Hodgson.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

A vigilante network taking out corrupt officials draws the notice of the authorities.

Stopping briefly in a small Texas town, an itinerant race car driver finds that his stock car, on a trailer behind his motor home, has just been quickly and expertly stripped. He chases down the miscreants, who turn out to be six orphan children. He has no recourse to the law, for the corrupt local sheriff takes most of the proceeds of their thievery in exchange for not putting them in an orphanage. They are charming rogues who are in turn charmed by him. Disliking their arrangement with the sheriff, they stow away with him, and he finds himself becoming a reluctant stepfather. Thanks to their enthusiasm and incredible mechanical know-how, he begins to make a name for himself on the racing circuit. But the sheriff doesn’t take kindly to losing his extra income…

The harmony between the four friends, two couples, is challenged, when Léa writes a bestseller novel.

A distinguished surgeon, married to a beautiful woman, has the habit of watching his wife in secret. The man decides to grant his wife to the owner of a refined brothel to be able to observe her from behind a mirror.

Shortly after a major disaster aboard the XOEH (zoh•ee) space station, Alan Brahm awakes to find himself trapped in the airlock/escape pod, with a torn space suit, and the room rapidly decompressing. With his attempts to force the airlock’s door open failing and only minutes left, Alan must make the choice of living to see his family again or sacrificing himself to save the lives of his stranded crew.