From directors Nick Doob and Shari Cookson, “Requiem for the Dead” is made entirely from found footage, including social media posts, 9-1-1 calls, news stories and police files. The film tells the stories of those who have been killed by gunfire, whether from accidental violence, random shootings, family disputes or suicide. Hear those stories of those who have died, which is only a fraction of the 32,000 people killed in America each year, 88 per day, from gun violence.

The documentary features the journey of the Voltrans initiative, a solidarity platform for trans men in Turkey.

Self-exiled in Turkey since 1999 and recently expelled, Mr. Constantin discovers that he had been declared dead by the Romanian authorities, at the request of his wife.

With the rapid emergence of digital devices, an unstoppable, invisible force is changing human lives in ways from the microscopic to the gargantuan: Big Data, a word that was barely used a few years ago but now governs the day for many of us from the moment we awaken to the extinguishing of the final late-evening light bulb. This massive gathering and analyzing of data in real time is allowing us to not only address some of humanity biggest challenges but is also helping create a new kind of planetary nervous system. Yet as Edward Snowden and the release of the Prism documents have shown, the accessibility of all these data comes at a steep price. The Human Face of Big Data captures the promise and peril of this extraordinary knowledge revolution.

An investigation of how Hollywood’s fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

SYMPATHY FOR THE DEVIL is an exhilarating, provocative motion picture. The Rolling Stones rehearse their latest song, “Sympathy For the Devil,” in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard is lucky enough to capture on film. Showing that rock and roll is more than just partying and goofing off, SYMPATHY FOR THE DEVIL is a brilliant portrait of the creative process at its most collaborative and arousing.

The Bavarian Motor Works started out in 1916 as a small producer of aircraft engines. Yes, its origins lie in the air. The asset that BMW is best-known for today is actually the last product to be added to its portfolio. It was only in the 30s that BMW built its first car. Since then, the company’s 100-year history has seen technological innovations, racing victories and also severe crises.

As the 60th anniversary of the assassination of President Kennedy approaches, this film uncovers the final proof of what happened that day in Dallas. By enhancing the famous Zapruder film, using new technology, we finally see what happened to J.F.K.

In Zenica, a giant steel factory belches toxic gasses into the air day and night, making the city one of the world’s most polluted, and people are dying. Samir Lemes and citizen activists from Eko Forum fight an uneven fight for change against the reckless corporation, the local politicians who focus on jobs, investments, and re-elections, and the EU who co-funds the corporation without enforcing laws and international standards. Instead, they name Zenica ‘A Green City Project’, building bicycle lanes in a city where breathing is a health hazard. A film about financial cynicism, political pragmatisk and greenwashing, in which West European countries play a surprisingly big role.

As England reach the final of the Euros at last, 6,000 ticketless football fans storm Wembley stadium, leaving destruction in their wake.

A documentary film about the life of Star Trek’s Mr. Spock as well as that of Leonard Nimoy, the actor who played Mr. Spock for almost fifty years, written and directed by his son, Adam Nimoy.

Traces the Beats from Allen Ginsberg and Jack Kerouac’s meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac’s death, and Ginsberg’s politicization. Their movement connects with bebop, John Cage’s music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats’ meaning and impact.