The film adapts and expands the Planetarian visual novel by Key. The story is set in a dystopian future where biological and nuclear warfare has left a once prosperous civilization in complete ruin. The film tells the story of an old man travelling around with a mobile planetarium projector to show people the stars.

During a picnic, Baby Herman follows a beaver into a perilous sawmill – with Roger Rabbit in frantic pursuit.

The Sailor Guardians enjoy a brief moment of peace until Mamoru’s Golden Crystal is stolen by Sailor Galaxia and the mysterious Sailor Starlights appear. One by one, Sailor Moon’s friends and loved ones are targeted by a formidable new enemy who threatens to destroy everything and rule over the cosmos.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Koyomi Araragi was turned into a vampire by the legendary vampire, Kiss-shot Acerola-orion Heart-under-blade, and he needs to revive the weakened vampire back to her complete form to return to being human again. The only way for Koyomi to achieve his goal is to fight the three vampire hunters – Dramaturgy, Episode and Guillotinecutter.

Not Available

Not Available

Steven Spielberg Presents Animaniacs: Wakko’s Wish, usually referred to as Wakko’s Wish is a 1999 American direct-to-video animated tragicomedy film based on the Warner Bros. 1993-98 animated series, Animaniacs, and also the swan song to the original series before its renewal in 2017. The film relocates all the Animaniacs characters to a quasi-medieval fairy tale world and portrays their race to find the wishing star that will grant them a wish. While the film was released during the Christmas season, the holiday is not a factor in its plot, though the events do take place during winter.

Pursued by formidable Chinese assassins, young Kotaro and his dog run into No Name, a mysterious stranger who gets pulled into the chase. The unlikely companions form a bond over saving the dog from a poison attack, but chaos erupts when the assassins find Kotaro, and No Name must face his past before a horrible fate is met again.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s “Doorbell” and “Baby Blue” by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

The Red Ribbon Army from Goku’s past has returned with two new androids to challenge him and his friends.

The land of Altera has observed an uneasy peace for years among Humans, Elves and Evil beasts who are loyal to the legendary Black Dragon. But the Black Dragon begins to stir from its hibernation, sending the Beasts marching across Altera. With a beast conquest perilously close, a small group of Humans and Elves unite to try to find a secret hidden road to the Black Dragon’s cave and destroy it. But the fate of all of them may be in the hands of the young warrior Lambert, who must summon the confidence and skill to face the Black Dragon himself just when all may be lost.