Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
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Based on the acclaimed memoir by renowned guitarist Andy Summers, Can’t Stand Losing You: Surviving The Police follows Summers’ journey from his early days in the psychedelic ‘60s music scene, when he played with The Animals, to chance encounters with drummer Stewart Copeland and bassist Sting, which led to the formation of a new wave trio, The Police. The band’s phenomenal rise and its highly publicized dissolution at the height of their fame in the early ’80s captured by Summers’ camera. Utilizing rare archival footage, Summers’ photos, and insights from the guitarist’s side of the stage, Can’t Stand Losing You brings together past and present as the band members prepare to reunite for the first time in two decades later for a global reunion tour in 2007.
The popular Bratz dolls come to life in their first live-action feature film. Finding themselves being pulled further and further apart, the fashionable four band together to fight peer pressure, learn what it means to stand up for your friends, be true to oneself and live out your dreams.
One of music’s biggest stars returns home to Fayetteville, NC, delivering a riveting performance in the exclusive HBO presentation J. COLE FOREST HILLS DRIVE: HOMECOMING, debuting SATURDAY, JAN. 9 (10:00–11:30 p.m. ET/PT). Part concert film, part backstage pass, the special tells his compelling life story through Cole’s own words and music, and through the observations of those who know him best. Featuring guest appearances by Jay Z and Drake, J. COLE FOREST HILLS DRIVE: HOMECOMING showcases live versions of all 13 songs from his third album, “2014 Forest Hills Drive.” Cole delivers a powerful performance that leaves his fans elated or in tears, connecting with audiences in a way few others can. Songs from “2014 Forest Hills Drive” include “January 28th,” “Wet Dreamz,” “03’ Adolescence,” “A Tale of 2 Citiez,” “Fire Squad,” “St. Tropez,” “Love Yourz,” “G.O.M.D.,” “No Role Modelz,” “Hello” and “Apparently.”
The story of the freed female hostages of Boko Haram, detailing their lives in captivity and since their release.
An eye-opening documentary that asks the question: Are we going to let climate change destroy civilization, or will we act on technologies that can reverse it? Featuring never-before-seen solutions on the many ways we can reduce carbon in the atmosphere thus paving the way for temperatures to go down, saving civilization.
It’s the movie that retraces the Laura’s life in a wholly original way. Through never-seen-before footage of her real and fictional life, the artist shows us her essence, giving an honest and bold analysis of her life and how it could have been without that victory at Sanremo that, in 1993, changed her destiny forever.
Ozzy Osbourne’s four decade track record as a culturally relevant artist is unprecedented, but his personal struggles have been shrouded in secrecy, until now. Featuring never before seen footage uncovered from the archives and interviews with Paul McCartney, Tommy Lee and others, God Bless Ozzy Osbourne is the first documentary to take viewers inside the complex mind of rock’s great icon. Emerging from a working class family in war torn England, Osbourne and his neighborhood friends formed Black Sabbath and invented heavy metal. Plagued by self doubt, Osbourne the solo superstar went on a binge that lasted 40 years. God Bless Ozzy Osbourne will relive the highs of his triumphs as well as his journey to sobriety, which Ozzy regards as his greatest accomplishment.
Peels back the curtain on the two-week, claustrophobic nightmare when passengers and crew members boarded the luxury Diamond Princess cruise ship in January of 2020, they had no idea that the deadly novel coronavirus boarded the ship with them, turning the floating paradise into their worst nightmare.
The larger-than-life story of Kim Dotcom, the “most wanted man online”, is extraordinary enough, but the battle between Dotcom and the US Government and entertainment industry – being fought in New Zealand – is one that goes to the heart of ownership, privacy and piracy in the digital age.
A woman walks into a New York gallery with a cache of unknown masterworks. Thus begins a story of art world greed, willfulness and a high-stakes con.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
