Documentary about Britain’s greatest satirist Peter Cook, with unprecedented access to his private recordings, diaries, letters, photographs and much more. Following his death, Peter Cook’s widow Lin locked the door of his house and refused all access to the media. Until this year, when she invited her friend Victor Lewis-Smith and a BBC crew inside to make a documentary about the man she knew and loved.

A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.

The New 8-Bit Heroes began after discovering childhood illustrations of a proposed game for the original Nintendo Entertainment System. Embarking on a quest with fellow creatives, Granato and his team set out to retrofit their skills to realize the abandoned ambition of developing a brand new, cartridge based game for the 30 year old console. What began as a novelty project about making a video game quickly shifts into an analysis of the relevance of the ambitions shed in our youth and an examination of what happens when we inject them into our adult lives.

Traveling from the deserts of Namibia to the forests of the Amazon, this documentary provides an up-close view of the snake world in all it scaly glory. Cameras mounted on serpents’ backs allow viewers a snake’s-eye view of their habits and habitats. The resulting footage reveals how they mate, give birth, hunt, feed and make their way through the world. Cobras, thread snakes and desert horned vipers and are just a few of the creatures featured.

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller’s only child, Samantha.

When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.

The Dark Files is an investigative docu-drama chronicling former CIA operative Barry Eisler, award-winning journalist Steve Volk, and documentarian Christopher Garetano’s exploration into the mythologies, conspiracies and accusations that surround Camp Hero, an abandoned military base in Montauk, Long Island.

Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

Jackass 3.5 is a 2011 sequel to Jackass 3D, composed of unused footage shot during the filming of Jackass 3D and interviews from cast and crew

Take a wild trip to the tropics with those ultimate tour guides, the Penthouse Island Girls.

From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton’s impressive career, but at a broader portrait of the man.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.