Single mother Elaine is disturbed by her son Martin’s aggressive behaviour, she visits his late father’s estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son’s future.
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Dennis feels different – an ordinary boy in an ordinary house in an ordinary street, playing football with his mates and living with his dad and brother, but frustrated by the boring grey world he inhabits. Life has never really been the same since his mum left. However, transformation can happen in the most unexpected places. Aided by Lisa, the coolest girl in the school, Dennis creates a whole new persona and puts it to the ultimate test – but can a boy wear a dress, and what will the headmaster, his dad and his friends on the football team think if they find out?
After college graduation, Grover’s girlfriend Jane tells him she’s moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can’t quite work up the inertia to escape their university’s pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.
Three sisters live alienated existences in modern day Tokyo. One works as a secretary, one is a prostitute, and one is a criminal. The secretary is cynically unhappy with the sexist business world which limits her opportunities for advancement and makes her a target for her lecherous boss. The prostitute lives an aimless life, drifting between men, and often the target of either police or jealous wives. The criminal, who lives by disrupting the society which oppresses her two sisters, is the only happy one of the three.
Part Texas Chainsaw Massacre, Part Friday the 13th Part III, a quintet of young adults heads to a former “research facility” in the country. At a gas station on the way, they hear about a series of murders in the area of the research facility from 25 years ago that have remained unsolved, but they head on, undaunted. Shortly after they arrive at the farm-like setting, violence ensues. Is it the work of the killer from 25 years ago?
Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
Dominic Brunt’s impressive second feature after the beloved ‘Emmerdale’ actor took the genre by storm with BEFORE DAWN is a tense female revenge saga – a frightening true-life crime thriller graced by a scalpel-sharp screenplay and extraordinary performances. Two women who dream of opening their own café in a work-depressed northern town go to the wrong person for a loan in this chilling allegory of the economic brutality independent businesses face within the austerity-led banking system. Unable to meet the outrageous payment demands, the hardened duo must find it within themselves to take pitiless, bloody retribution on their malicious aggressor.
When an idealistic TV producer is assigned a puff piece about a Christmas toy manufacturer over the holidays, a charming toymaker inspires her to search her heart to find true happiness.
Camp Death III in 2D!’ is a crude, corny & Canadian comedy/horror 80’s slasher parody of ‘Friday the 13th Part III in 3D’ and is proudly presented in two dimensions.
Three strangers find themselves at a villa, each with the same goal of discovering the Fountain of Youth, rumored to be nearby. One by one they succumb to the carnal perversions and depraved delights provided by the villa, unaware they are pawns in the resurrection of a centuries old evil.
