A teacher opens a time capsule that has been dug up at his son’s elementary school; in it are some chilling predictions — some that have already occurred and others that are about to — that lead him to believe his family plays a role in the events that are about to unfold.
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Lee Doo-sam is a small time smuggler in Busan, Korea. One day, he helps the mob smuggle meth by chance and finds himself falling into the dark crime world. Being quick-witted and full of ambition, he eventually overtakes the underworld and starts to lead a double life: a good community leader during day but during the night, an infamous drug lord who rules an empire.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
When Jen gets the chance to enter a brand’s design contest, she poses as a family influencer, enlisting the help of her best friend, Max, and her baby nephew. When her video is selected as a finalist, Jen is torn on whether to go on with her perfect “family” or reveal the truth.
After spending years in California, Amir returns to his homeland in Afghanistan to help his old friend Hassan, whose son is in trouble.
A daughter finds a journal her dad left behind, only to discover there was another woman in his life she knew nothing about. She sets out to find this woman and the reason her father never ended up with the woman he must have loved.
Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey cage, an unwelcoming fellow convict cautions the newcomer not to touch the intriguingly mysterious red wooden box which rests on the lower bunk, moreover, not even think of opening it. Why is there so much secrecy about the contents of the box? Could there be hiding the means to his escape?
Three generations of the rowdy Cutler family live as outlaws in some of Britain’s richest countryside – hunting hares, ram-raiding stately homes, and taunting the police. Struggling to retain a way of life fast becoming extinct, Chad Cutler ends up caught between his father’s archaic principles and trying to do right by his kids, whilst the full force of the law is finally catching up with him.
Robo is an amazing story of friendship between a boy and a robot. Where a whole new world opens up for both of them. The boy learns to be strong and courageous, and the robot, initially devoid of feelings, begins to empathize and experience real human emotions.
Duncan Mayor decides the perfect Christmas present for his beloved wife, Suzy, is a ride on a real Ferris wheel, set up in their very own back yard. As a young man, it was the perfect place for a wedding proposal. Now, years later, in order to relive the experience with his wife, Duncan will go to any length to make their fantasy become a reality.
Director Mario Van Peebles chronicles the complicated production of his father Melvin’s classic 1971 film, “Sweet Sweetback’s Baadasssss Song.” Playing his father in the film, Van Peebles offers an unapologetic account of Melvin’s brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.