Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.

A solitary woman (Melissa Leo) earning her living by delivering mail and body piercing, makes every attempt to help her volatile adult daughter (Marin Ireland) get on her feet, and in-so-doing neglects herself, channeling all of her womanly desires into her houseplants…even when a charismatic and industrious environmentalist (Josh Hamilton) moves in with them.

Seven years after the death of his wife, company executive Aoyama is invited to sit in on auditions for an actress. Leafing through the resumés in advance, his eye is caught by Yamazaki Asami, a striking young woman with ballet training.

When National Guard soldier Samantha Harrison returns from the front lines of Iraq, she realizes that none of her training helps her deal with PTSD or the struggles of returning to a normal life. Samantha comes home to find out she’s being blamed for a friendly fire incident that killed two Americans and she becomes the target of an obsessed soldier seeking revenge for their deaths. She tries to reassemble her fragmented memories of that horrific night in order to convince everyone, including herself, that she didn’t do it. Who do you turn to when you can’t trust your own memories and the few people you do trust are being killed off one by one?

An unexpected blizzard threatens the Parton family, while at the same time Dolly’s father (and his kids) make sacrifices to raise enough money to finally buy his wife the wedding ring he could never afford to give her. Meanwhile, an important person in little Dolly’s life begins to see that her amazing voice and musical gift might just be made for something bigger than rural Tennessee.

After narrowly avoiding a school shooting, a young teacher begins to suspect death has more sinister plans for him.

Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain’s political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.

Thom Pain is just like you, except worse. One night, he finds himself on a stage, in the dark, in a theatre. In the audience are people who, just like him, were born and will die. Thom is going to try to make sense of it all. He’s going to try to save his life, to save their life, to save your life – in that order. A camera crew captures the night, as various forces align to produce a reckless and accidentally profound event.

After leaving jail, Víctor is still in love with Elena. But, she’s married to the former cop-now basketball player-who became paralyzed by a shot from Víctor’s gun.

Tabloid reporters are sent by their editor to investigate after the paper recieves a letter from a woman claiming an angel is living with her.

Set in the 1800s, the film is about a “dacoit” tribe who take charge in fight for their rights and independence against the British.

Creature of habit, Jon Smith, spends his days mindlessly working as a barista in New York City. When night falls, this seeming everyman savagely kills “filthy women” as his social outlet. A chance encounter with Delia, a young prostitute searching for an escape from her troubled past, forces Jon to confront the most terrifying thing he has ever faced in all his dark affairs – himself. All God’s Creatures examines the true nature of what it means to be a monster and reveals that love is not only for a chosen few, but for all God’s creatures.