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Barbecue is about more than grilling a piece of meat. It’s a ritual performed religiously across the world. For some it’s a path to salvation. It is the pride of nations. And the stories told around the fires become a way to bring the world together.
The husband-and-wife team of Charles and Ray Eames were America’s most influential and important industrial designers. Admired for their creations and fascinating as individuals, they have risen to iconic status in American culture. Eames: The Architect & The Painter draws from a treasure trove of archival material, as well as new interviews with friends, colleague, and experts to capture the personal story of Charles and Ray while placing them firmly in the context of their fascinating times.
An intimate portrait of Marcos López, unique and unclassifiable figure, film director, visual artist and one of the most prominent contemporary photographers in Latin America.
For the first time, complainants against La Luz del Mundo megachurch leaders expose the abuses they suffered through exclusive interviews.
Follows the story and reality of Edmund Kemper, who appears to be a gentle giant who offers rides to young female hitchhikers, but is actually a perverted monster with a tormented childhood and dark sexual fantasies.
Les Blank’s first feature-length documentary captures music and other events at Leon Russell’s Oklahoma recording studio during a three-year period (1972-1974).
Andreea Raducan, a successful 32-year-old woman and one of Romania’s greatest gymnasts, sacrificed her childhood to become an Olympic champion. She finally won the all-round Olympic gold medal in Sydney in 2000, but was stripped of it three days later after testing positive for a doping substance contained in a flu tablet her doctor had administered to her minutes before she entered the competition. Fifteen years later, Andreea is fighting the toughest fight against the people who deceived her, as she tries to recover her medal and, along with it, her dignity.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
An intimate portrait of Oscar winning producer David Puttnam as he reflects on events which shaped his journey to becoming an Irish citizen and making Skibbereen his home.
A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing.
The documentary – featuring a combination of rarely seen archival footage, new segments filmed on location worldwide, and interviews with leading international experts – also uncovers the untold story of the central role Irish-Americans played in the lead-up to the rebellion. Although defeated militarily, the men and women of the Easter Rising would wring a moral victory from the jaws of defeat and inspire countless freedom struggles throughout the world – from Ireland to India.
Who was Joe D’Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.