An easy life of three seemingly ordinary, jobless engineers from a small village goes haywire as they try to hide an unwelcome money heist leaving only honesty on their side.
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Jo Koy owns the stage in a rousing stand-up set about public sneezing, perseverance, the indignities of sleep apnea and getting lost in the Philippines.
When his long-lost outlaw father returns, Tommy “White Knife” Stockburn goes on an adventure-filled journey across the Old West with his five brothers.
From the director of Back to 1942, Feng Xiaogang, comes PERSONAL TAILOR, one of the most unique films you’ll see in this upcoming holiday season. Imagine a team that will sacrifice themselves for your dream at any cost — but only if that dream makes you a better person. And only if that dream lasts a single day… What would your dream be? Where would you go? What would you do? And after that single day, what would happen to you?
On the eve of their wedding, Alison gets cold feet and decides to break up with her fiancé Phil. But rather than face the embarrassment of calling off the ceremony, Alison suggests to Phil that they proceed with a sham wedding. Phil is more than game to try, secretly hoping that a surprise gift he has for Alison will ultimately change her mind. Yet once the guests begin to arrive, more complications ensue than either of them could have ever imagined – even if they did know their wedding was bullshit.
Making music means everything for the shy Zoë. But since her father left, she never played guitar again. When she is hit by the bus from Mik, superstar Bieber size, sparks fly allthough she is not a fan at first. Off course, people around the two love birds dont exactly cooperate to make things work…
Militant optimist Andrew Maxwell shows off his 21 years of experience on the Fringe with this polished, political hour. Thought-provoking, charming and masterful as ever, this cheerful Dubliner’s observations are interwoven with razor sharp social commentary. Newly wedded to his muslim wife, Maxwell’s take on culture, religion and immigration is as fierce as it is funny.
In the gay ’90s, cardsharps take over a Mississippi riverboat from a kindly captain. Their first act is to change the showboat into a floating gambling house. A ham actor and his bumbling sidekick try to devise a way to help the captain regain ownership of the vessel.
The film centers on a fight promoter (Mark Feuerstein) deeply in debt to his crooked rival. Desperate for a new fighter that will help him win back everything he owes, the promoter catches a break when a 450-pound church handyman (Paul “Big Show” Wight) who has spent his entire life in an orphanage agrees to wrestle on behalf of his fellow orphans.
Kate and Humphrey take their pups to Alfred Creek Falls for a vacation, where they find themselves embroiled in a cross-country chase after mad wolf trappers spot them.
Two not so bright small time crooks end up with a baby girl by “accident” and find a change in their lives. Billy (Ulrich) becomes the guy to take care of the child and look after it. Buford (Oldman) wants to get rid of it, but the others they knit with are for doing the best they can. They conspire to rob a pawn shop to get the necessary money, only to end up heroes for stopping a heist already in play.
Set in the 1970’s, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family–wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)–from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe’s spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein’s memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.
