The Minus Man is a 1999 film based on the novel by Lew McCreary. It was directed by Hampton Fancher, who also wrote the screenplay. The film centers on a psychotic killer whom Fancher describes as “a cross between Psycho’s Norman Bates, Melville’s Billy Budd and Being There’s Chauncey Gardner”

A podcaster’s investigation of his sister’s death leads him to a grisly website, where the highest bidder decides how a chosen victim will be killed.

Leaving the city behind for a weekend of booze, bud and bonding at the coast, seven friends find themselves stranded en route to South Padre Island when a big storm interferes with their plans. The town of Middle Spring is more than happy to welcome them with open arms, however; located in the rhinestone buckle of the Bible Belt, Middle Spring is smack-dab in the middle of a big barbecue and tent revival and there’s always room at their table for a few more warm bodies. Unfortunately, no one in Middle Spring is exactly who they seem to be— this town takes the Bible quite literally, and the friends have to stick together as time begins to run out and they realize that what’s on the menu may be closer to home than they suspected.

Tree Gelbman learns that dying over and over again was surprisingly easier than the dangers that lie ahead.

An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss’s old mentor to secure for him a multi-billion dollar advantage.

Dillon stumbles on a little known news story about a company called Life Tracker Limited, which claims it has discovered a way to predict biological events in a human’s life by looking at their DNA. Everyone views the story as a modern day form of palm reading that will go nowhere, but Dillon keeps turning on his camera when he finds articles on the Internet or hears about it on the news.

Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns

The story about an ambitious journalist who eagerly pursues a long-forgotten accident. When the sole survivor of the accident suddenly disappears, he realizes that nothing is what it seems, and the unimaginable dark truth will haunt him for the rest of his life.

A filmmaker introduces us to the subject of his documentary—the beautiful Jacqueline Dumont, a young Frenchwoman who claims to have uncovered a covert assassination conspiracy. While unsure of the eccentric Jacqueline’s veracity, the filmmaker nonetheless enlists a couple of interns and heads to the holistic retreat in Argentina where she’s hiding out, to explore her claims and film her story. Upon arrival, the filmmaker begins to doubt the worthwhileness of his venture, but finds reasons to hope that he might actually be capturing something big, something real, with his increasingly makeshift film.

Chasing their dream of landing their own hunting show, Jake and Stevie head to the dense, secluded mountains of West Virginia. Equipped with only their bow and camera, they have just three days to kill a monster buck big enough to grab the attention of the network…and they’ve found him. But the sun has set, and they realize they’re not alone.

A teenage runaway who’s trapped by a delusional man, pretends to be his daughter in order to escape.

The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a med student he hones his appetite for the kill.